Hi everyone, I posted a few weeks back about starting to write a series about my adventures on the road - to inspire! I just finished the first section of my first story. This part takes place from 1 sunset to the next - adventures of 1 day on the road. This is part of a longer segment about a road trip to Coachella.... I hope you enjoy: ps. any feedback greatly appreciated
It’s 4:45pm on a cold April evening in Boston, I’m counting the minutes and seconds 'till I can dart out of my office and head to the airport. I have my carry on bag and backpack with me at my desk, and my mind is far from work. My father, who happened to be in the city for meetings, is waiting outside to take me to the airport. The clock strikes 5 and I am gone before the big hand ticks again. I smoke a quick spliff on the sidewalk around the corner and then hop in my father’s car - I’m officially on vacation. He drops me off, we say our goodbyes, and I arrive at the airport with enough time to have 2 beers before my flight. As I sit in my window seat waiting for takeoff, I slowly watch the sunset over the Boston skyline, only imagining what the next couple of sun sets will look like from the west. I couldn’t imagine everything I would see before the next time the sun set. The plane took off at 8pm. I’m usually the type of person to stare out the window for the entire plane ride, so much so that I usually leave the plane with a sore neck - but for this flight I knew I should sleep so I could be energized for what lay ahead. I managed to sleep for about 2 hours on the plane. I woke up to the captain calling for the final descent into Denver. We touched down in Denver in the midst of a late spring snow storm, 10:30pm local time. Syd was already at the Terminal West pickup zone waiting for me with his bags packed. We make a couple of quick stops to prep for the road (munchies and what-not) and off we went - headed West. The clock strikes Midnight as we get on the highway - it’s now officially 4/20 in Colorado, I’m overwhelmed with joy, excitement, and weed smoke. Syd took the initiative and picked up an ounce for our trip - each gram was in its own bag which was odd at the time but came in handy later on in the trip. Just a few hours ago, I was in my cubicle - now I’m in Denver on 4/20, every adolescents dream. This was just the very beginning.
Exiting Denver heading West, I started to notice the drastic change in landscape. Denver sits at the very edge of the plains that spread across middle America from Pennsylvania to literally Denver. East of Denver is plains, farmland, and corn for 1,500 miles. Each farm and cornfield a spitting image of the previous one. West of Denver is the most beautiful, drastic, diverse scenery all the way to the Pacific Ocean. You have what seems like unlimited options to choose from once passing through the rockies - head southwest for desert, head norwest for ancient forests and god’s country, head directly west for a mix of both and everything in between. This trip we were going southwest. We zoomed into the rockies with snow getting heavier by the minute. I started to get nervous but remembered how I was here back in February with the same road conditions and the same fright. I then remembered how well Syd could handle these roads, so I chilled out. We passed by Loveland, Arapahoe Basin, and Keystone ski resorts, and I started to reflect about my 2 weeks of snowboarding here only 2 months prior in February. I thought about how I would love to snowboard here again one day. Little did I know, I would be working for Keystone the following Winter (more on that later).
With Keystone in our rear view, we quickly approached Breckenridge, then Copper, then Vail, and then Beaver Creek. Coming from the East Coast it was hard to believe that all of these world class resorts were all within 45 minutes of each other. You can drive 10 minutes in any direction in Summit County, Colorado and arrive at a world class resort. Once we passed Beaver Creek the snow started to subside and you could see dirt and grass start to be evermore present. A relief from the harsh storm. I was now more relaxed and slept for an hour or 2. I woke up to see an array of lights in the near distance, a massive city- like region as far as the eyes could see. We were approaching Grand Junction, CO, a city declared in the late 1800s as a “grand” junction of the mighty Colorado River and it’s largest tributary, the Gunnison River. Grand Junction is Colorado’s wine country and the closest civilization to Grand Mesa, the world's largest flat-topped mountain which covers hundreds of miles. I was in awe as it seemed to go on forever. We passed through Grand Junction and immediately crossed over into Utah around 4AM, and I took the wheel.
One thing that strikes me about these Western states is you can actually see and feel yourself crossing into another state without there being any formal notice or signs. The way the land drastically changes is amazing. As soon as we entered Utah everything around us started getting more colorful. The brown dirt changed to red clay, the tan grass of Western Colorado quickly changed to green cactuses (or cacti?). The snowy mountains changed to rainbow-colored hills and otherworldly rock formations. I felt like I had just left planet earth and landed on Mars. “This is the coolest place ever” I said to Syd. I continued on in admiration for about an hour, then I could see the very first sign of the sun rising in my rearview mirror. What I thought was beautiful before instantly appeared way more spectacular. I was in awe, trying to soak everything there was to see. I’m lucky that I didn’t drift off the road during these gazes, but luckily the Utah highway was straight and flat, with no other cars at this hour. Each and every minute grew more beautiful as the sun rose higher and higher in my mirrors. It seemed as if the sun was chasing us from the east as we bolted west at a steady 80mph. Once the sun was about halfway up the horizon behind us everything started to brighten up from the darkness of the night. I pulled over at a rest stop to climb a hill and watch the sunrise over the utah desert. I found a boulder at the top of the hill perched over a valley, and watched the sun slowly illuminate hundreds of miles of desert. I will never forget it. Now that it was bright as day, I hopped back into the driver’s seat and continued on. Syd woke up from a snooze; I tried to describe what I had just witnessed but no words could do justice. From there on, I pulled over at every scenic viewpoint that we came across, which seemed like every 10 minutes. They each got better and better the further into Utah we ventured. Sand Bench, Ivie Creek, Devil’s Canyon, Ghost Rock, Spotted Wolf, San Rafael Reef, Black Dragon Canyon, and Crescent Junction to name a few. We probably lost an hour off of our ETA for these stops, but to me they were priceless, and I didn’t care the least. By this time it was around 8am and the temperature had now reached a comfortable 70 degrees. From here the windows would be down for the rest of the trip.
After about 8 hours of cruising I-70 from the snowy Rocky Mountains through the Utah desert, we passed through Fishlake National Forest in Salina, UT and pulled onto interstate 15 to start heading South. The desert had now transformed into an oasis with green grasses growing, wildflowers budding, trees waving in the gentle wind, and chirping birds greeting the morning. It was like entering a whole different environment yet there was still snow capped mountains in the near distance. I could smell the beautiful scent of the valley and everything it had to offer. I thought to myself how bad the streets of Boston stunk where my office was located, and how amazing this often overlooked section of the country had been so far. Syd was well rested at this point so we pulled over, took our shoes off to walk around the soft warm grass, had a quick beer while soaking in the morning, and hopped back on the road - Syd driving now. We only drove for about 10 minutes until we saw Our next stop was Zion National Park.
We approached Zion National Park from the north, so we were able to get in without paying the national park dues. As we approached Zion, I was convinced that I had already seen the beauty of Utah, and that Zion National Park was going to look like the beautiful valley that we were in during our approach. I was wrong. We traversed the winding road that leads into the northwestern park of the park and then she revealed herself. The sheer beauty of this valley is almost indescribable, and only the finest poets could barely do justice. All of a sudden we were hundreds of feet above this majestic garden of eden. Both Syd and I had to pick our jaws up from the car floor, and still remained speechless after that. We pulled the car over and sat there in awe and tried to absorb all the beauty that was in front of us. It reminded me of the old childs movie “The Land Before Time”. I imagined pterodactyls soaring above the cliffs, gazing over all sorts of other dinosaurs that roamed the valley floor. There were emerald rivers below me and massive cliff walls surrounding me with trees and plants growing everywhere. Every color on the spectrum could be seen in this little speck nature. I pictured the natives who used to call this place home and how it must have felt to discover this desert oasis. I felt one with nature here. Syd and I must have spent an hour sitting here and admiring this beauty. We had to get going so I took one last gaze, and went back in the car. I told myself I would come back here to really explore the place. I sure did, but that adventure comes in a later story.
We left Zion and had Las Vegas in our sights. Zion is only about 2 hours away from Las Vegas, so we planned on that being our next stop/point of interest. Right around this time, about 10AM, we realized that we had left Denver about 10 hours ago and needed some food. We decided we would wait until Vegas, but then all of a sudden a mirage appeared in the desert. “That is a mirage, right Syd?”. “It must be”. I got overwhelmed with excitement as my mouth started watering, the mirage got closer. “That mirage looks pretty real” “But it can’t be...we’re in Utah”. Yup, it was real. I rubbed my eyes to be sure. We pulled up to the Washington, UT exit signs and there was a billboard that read “In-N-Out 1 mile”. I hadn’t been that happy in a while. We checked what time they opened: 10:30 AM, we checked our clock: 10:20 AM. It was a miracle. We smoked a joint and walked in as they were taking down the “closed” sign.
Now here is where I had another “holy shit it’s a small world” moment. Throughout my life I had always had these weird coincidences where I see someone I know while on vacation or somewhere hundreds/thousands of miles away. From seeing a college friend at a resort in Puerto Rico, to sitting next to my hometown buddy on a plane from the DR, to sitting across the table from a classmate in the Bahamas. As I was munching my burger, in the middle of Southerwestern Utah, two people from my highschool walked in. An older couple that was I think 3 years above me. Now we didn’t know each other well enough, so we didn’t speak but we all looked at each other with the “WTF?” eyes, and continued to pretend not to know each other, even though we both knew our stories started in a small coastal town in MA. “What a small world” I thought as I finished my burger (animal style, of course).
We hopped back in the car and in a flash we were in Las Vegas. I was very excited to finally see Las Vegas. I was reminiscing of all the crazy stories ive heard and movies ive seen, portraying this to be the place of no rules where everyone leaves with a crazy story that they can’t tell their mother (I do have a crazy vegas story, but thats from a different road trip). Well, not at 1:00pm I guess. We drove up and down the strip feeling like movie stars with our arms and feet hanging out the window, trying to show off my fake Y-3 shoes (SMH). Vegas is a whole nother world during the day, and there is not much to be excited about. We parked the car at Caesars Palace and roamed around the casino, only to find desperate slot-goers at this hour. It was kind of depressing. After an hour of roaming the strip and fantasizing in the Louis Vuitton and Gucci stores, we decided it was time to leave Vegas. The next time I was in Vegas turned out to be a lot more...fear and loathing-ish, we’ll get to that later.
After Vegas we were ready to get to California. We decided we would only stop for gas from this point on, and set our sites on San Diego. The goal was to race there fast enough to watch the sunset over the Pacific Ocean before heading to Coachella the following day. My cousin lived in San Diego at the time and welcomed us to stay the night at his house before the festival. We drove and drove racing the sun which was starting to gain on us. We crossed into California and kept driving until we hit San Bernardino and came to a complete stop. There was traffic for as far as the eyes could see. “Are you kidding me? LA traffic all the way out here” while it might not have specifically been LA traffic, there was certainly bumper-to-bumper traffic all the way to LA. “wow, people aren’t joking about LA traffic” we laughed. Luckily after only a couple miles we pulled off the exit to head south to San Diego and were back cruising along.
In what seemed like a close race against time, we pulled into Pacific Beach, San Diego right as the sun was reaching the point where it really starts to turn the color of the sky to a pinkish-peach color. It was so beautiful. We paced onto the boardwalk and got a perfect spot to watch the sun set over the surfers trying to catch their last waves before darkness. We stayed and watched in awe until there was no sun left to watch. As we were exiting the boardwalk we were overwhelmed with delicious smells of local vendors preparing food for the night crowd. It felt as if we entered a food truck convention, and thousands of people now fluttered in to get a taste of the local cuisine. We walked around aimlessly smelling and tasting all they had to offer. I had a couple beef and pork tacos and a churro; Syd had a freshly caught fish taco. From there we soaked everything in, breathed a sigh of relief for we had made it and reflected on what an incredible day we just had. From there we went to my cousins loft and relaxed with him, only to begin a new adventure tomorrow.

2 Sunets - 1 Day on the Road

Hi everyone, I posted a few weeks back about starting to write a series about my adventures on the road - to inspire! I just finished the first section of my first story. This part takes place from 1 sunset to the next - adventures of 1 day on the road. This is part of a longer segment about a road trip to Coachella.... I hope you enjoy:
ps. any feedback greatly appreciated
edit: I misspelled the title :/
It’s 4:45pm on a cold April evening in Boston, I’m counting the minutes and seconds 'till I can dart out of my office and head to the airport. I have my carry on bag and backpack with me at my desk, and my mind is far from work. My father, who happened to be in the city for meetings, is waiting outside to take me to the airport. The clock strikes 5 and I am gone before the big hand ticks again. I smoke a quick spliff on the sidewalk around the corner and then hop in my father’s car - I’m officially on vacation. He drops me off, we say our goodbyes, and I arrive at the airport with enough time to have 2 beers before my flight. As I sit in my window seat waiting for takeoff, I slowly watch the sunset over the Boston skyline, only imagining what the next couple of sun sets will look like from the west. I couldn’t imagine everything I would see before the next time the sun set. The plane took off at 8pm. I’m usually the type of person to stare out the window for the entire plane ride, so much so that I usually leave the plane with a sore neck - but for this flight I knew I should sleep so I could be energized for what lay ahead. I managed to sleep for about 2 hours on the plane. I woke up to the captain calling for the final descent into Denver. We touched down in Denver in the midst of a late spring snow storm, 10:30pm local time. Syd was already at the Terminal West pickup zone waiting for me with his bags packed. We make a couple of quick stops to prep for the road (munchies and what-not) and off we went - headed West. The clock strikes Midnight as we get on the highway - it’s now officially 4/20 in Colorado, I’m overwhelmed with joy, excitement, and weed smoke. Syd took the initiative and picked up an ounce for our trip - each gram was in its own bag which was odd at the time but came in handy later on in the trip. Just a few hours ago, I was in my cubicle - now I’m in Denver on 4/20, every adolescents dream. This was just the very beginning.

Exiting Denver heading West, I started to notice the drastic change in landscape. Denver sits at the very edge of the plains that spread across middle America from Pennsylvania to literally Denver. East of Denver is plains, farmland, and corn for 1,500 miles. Each farm and cornfield a spitting image of the previous one. West of Denver is the most beautiful, drastic, diverse scenery all the way to the Pacific Ocean. You have what seems like unlimited options to choose from once passing through the rockies - head southwest for desert, head northwest for ancient forests and god’s country, head directly west for a mix of both and everything in between. This trip we were going southwest. We zoomed into the rockies with snow getting heavier by the minute. I started to get nervous but remembered how I was here back in February with the same road conditions and the same fright. I then remembered how well Syd could handle these roads, so I chilled out. We passed by Loveland, Arapahoe Basin, and Keystone ski resorts, and I started to reflect about my 2 weeks of snowboarding here only 2 months prior in February. I thought about how I would love to snowboard here again one day. Little did I know, I would be working for Keystone the following Winter (more on that later).

With Keystone in our rear view, we quickly approached Breckenridge, then Copper, then Vail, and then Beaver Creek. Coming from the East Coast it was hard to believe that all of these world class resorts were all within 45 minutes of each other. You can drive 10 minutes in any direction in Summit County, Colorado and arrive at a world class resort. Once we passed Beaver Creek the snow started to subside and you could see dirt and grass start to be evermore present. A relief from the harsh storm. I was now more relaxed and slept for an hour or 2. I woke up to see an array of lights in the near distance, a massive city- like region as far as the eyes could see. We were approaching Grand Junction, CO, a city declared in the late 1800s as a “grand” junction of the mighty Colorado River and it’s largest tributary, the Gunnison River. Grand Junction is Colorado’s wine country and the closest civilization to Grand Mesa, the world's largest flat-topped mountain which covers hundreds of miles. I was in awe as it seemed to go on forever. We passed through Grand Junction and immediately crossed over into Utah around 4AM, and I took the wheel.

One thing that strikes me about these Western states is you can actually see and feel yourself crossing into another state without there being any formal notice or signs. The way the land drastically changes is amazing. As soon as we entered Utah everything around us started getting more colorful. The brown dirt changed to red clay, the tan grass of Western Colorado quickly changed to green cactuses (or cacti?). The snowy mountains changed to rainbow-colored hills and otherworldly rock formations. I felt like I had just left planet earth and landed on Mars. “This is the coolest place ever” I said to Syd. I continued on in admiration for about an hour, then I could see the very first sign of the sun rising in my rearview mirror. What I thought was beautiful before instantly appeared way more spectacular. I was in awe, trying to soak everything there was to see. I’m lucky that I didn’t drift off the road during these gazes, but luckily the Utah highway was straight and flat, with no other cars at this hour. Each and every minute grew more beautiful as the sun rose higher and higher in my mirrors. It seemed as if the sun was chasing us from the east as we bolted west at a steady 80mph. Once the sun was about halfway up the horizon behind us everything started to brighten up from the darkness of the night. I pulled over at a rest stop to climb a hill and watch the sunrise over the utah desert. I found a boulder at the top of the hill perched over a valley, and watched the sun slowly illuminate hundreds of miles of desert. I will never forget it. Now that it was bright as day, I hopped back into the driver’s seat and continued on. Syd woke up from a snooze; I tried to describe what I had just witnessed but no words could do justice. From there on, I pulled over at every scenic viewpoint that we came across, which seemed like every 10 minutes. They each got better and better the further into Utah we ventured. Sand Bench, Ivie Creek, Devil’s Canyon, Ghost Rock, Spotted Wolf, San Rafael Reef, Black Dragon Canyon, and Crescent Junction to name a few. We probably lost an hour off of our ETA for these stops, but to me they were priceless, and I didn’t care the least. By this time it was around 8am and the temperature had now reached a comfortable 70 degrees. From here the windows would be down for the rest of the trip.

After about 8 hours of cruising I-70 from the snowy Rocky Mountains through the Utah desert, we passed through Fishlake National Forest in Salina, UT and pulled onto interstate 15 to start heading South. The desert had now transformed into an oasis with green grasses growing, wildflowers budding, trees waving in the gentle wind, and chirping birds greeting the morning. It was like entering a whole different environment yet there was still snow capped mountains in the near distance. I could smell the beautiful scent of the valley and everything it had to offer. I thought to myself how bad the streets of Boston stunk where my office was located, and how amazing this often overlooked section of the country had been so far. Syd was well rested at this point so we pulled over, took our shoes off to walk around the soft warm grass, had a quick beer while soaking in the morning, and hopped back on the road - Syd driving now. We only drove for about 10 minutes until we saw Our next stop was Zion National Park.

We approached Zion National Park from the north, so we were able to get in without paying the national park dues. As we approached Zion, I was convinced that I had already seen the beauty of Utah, and that Zion National Park was going to look like the beautiful valley that we were in during our approach. I was wrong. We traversed the winding road that leads into the northwestern park of the park and then she revealed herself. The sheer beauty of this valley is almost indescribable, and only the finest poets could barely do justice. All of a sudden we were hundreds of feet above this majestic garden of eden. Both Syd and I had to pick our jaws up from the car floor, and still remained speechless after that. We pulled the car over and sat there in awe and tried to absorb all the beauty that was in front of us. It reminded me of the old childs movie “The Land Before Time”. I imagined pterodactyls soaring above the cliffs, gazing over all sorts of other dinosaurs that roamed the valley floor. There were emerald rivers below me and massive cliff walls surrounding me with trees and plants growing everywhere. Every color on the spectrum could be seen in this little speck nature. I pictured the natives who used to call this place home and how it must have felt to discover this desert oasis. I felt one with nature here. Syd and I must have spent an hour sitting here and admiring this beauty. We had to get going so I took one last gaze, and went back in the car. I told myself I would come back here to really explore the place. I sure did, but that adventure comes in a later story.

We left Zion and had Las Vegas in our sights. Zion is only about 2 hours away from Las Vegas, so we planned on that being our next stop/point of interest. Right around this time, about 10AM, we realized that we had left Denver about 10 hours ago and needed some food. We decided we would wait until Vegas, but then all of a sudden a mirage appeared in the desert. “That *is* a mirage, right Syd?”. “It must be”. I got overwhelmed with excitement as my mouth started watering, the mirage got closer. “That mirage looks pretty real” “But it can’t be...we’re in Utah”. Yup, it was real. I rubbed my eyes to be sure. We pulled up to the Washington, UT exit signs and there was a billboard that read “In-N-Out 1 mile”. I hadn’t been that happy in a while. We checked what time they opened: 10:30 AM, we checked our clock: 10:20 AM. It was a miracle. We smoked a joint and walked in as they were taking down the “closed” sign.

Now here is where I had another “holy shit it’s a small world” moment. Throughout my life I had always had these weird coincidences where I see someone I know while on vacation or somewhere hundreds/thousands of miles away. From seeing a college friend at a resort in Puerto Rico, to sitting next to my hometown buddy on a plane from the DR, to sitting across the table from a classmate in the Bahamas. As I was munching my burger, in the middle of Southerwestern Utah, two people from my highschool walked in. An older couple that was I think 3 years above me. Now we didn’t know each other well enough, so we didn’t speak but we all looked at each other with the “WTF?” eyes, and continued to pretend not to know each other, even though we both knew our stories started in a small coastal town in MA. “What a small world” I thought as I finished my burger (animal style, of course).

We hopped back in the car and in a flash we were in Las Vegas. I was very excited to finally see Las Vegas. I was reminiscing of all the crazy stories ive heard and movies ive seen, portraying this to be the place of no rules where everyone leaves with a crazy story that they can’t tell their mother (I do have a crazy vegas story, but thats from a different road trip). Well, not at 1:00pm I guess. We drove up and down the strip feeling like movie stars with our arms and feet hanging out the window, trying to show off my fake Y-3 shoes (SMH). Vegas is a whole nother world during the day, and there is not much to be excited about. We parked the car at Caesars Palace and roamed around the casino, only to find desperate slot-goers at this hour. It was kind of depressing. After an hour of roaming the strip and fantasizing in the Louis Vuitton and Gucci stores, we decided it was time to leave Vegas. The next time I was in Vegas turned out to be a lot more...fear and loathing-ish, we’ll get to that later.

After Vegas we were ready to get to California. We decided we would only stop for gas from this point on, and set our sites on San Diego. The goal was to race there fast enough to watch the sunset over the Pacific Ocean before heading to Coachella the following day. My cousin lived in San Diego at the time and welcomed us to stay the night at his house before the festival. We drove and drove racing the sun which was starting to gain on us. We crossed into California and kept driving until we hit San Bernardino and came to a complete stop. There was traffic for as far as the eyes could see. “Are you kidding me? LA traffic all the way out here” while it might not have specifically been LA traffic, there was certainly bumper-to-bumper traffic all the way to LA. “wow, people aren’t joking about LA traffic” we laughed. Luckily after only a couple miles we pulled off the exit to head south to San Diego and were back cruising along.

In what seemed like a close race against time, we pulled into Pacific Beach, San Diego right as the sun was reaching the point where it really starts to turn the color of the sky to a pinkish-peach color. It was so beautiful. We paced onto the boardwalk and got a perfect spot to watch the sun set over the surfers trying to catch their last waves before darkness. We stayed and watched in awe until there was no sun left to watch. As we were exiting the boardwalk we were overwhelmed with delicious smells of local vendors preparing food for the night crowd. It felt as if we entered a food truck convention, and thousands of people now fluttered in to get a taste of the local cuisine. We walked around aimlessly smelling and tasting all they had to offer. I had a couple beef and pork tacos and a churro; Syd had a freshly caught fish taco. From there we soaked everything in, breathed a sigh of relief for we had made it and reflected on what an incredible day we just had. From there we went to my cousins loft and relaxed with him, only to begin a new adventure tomorrow.

Tartar - this video - Thoughts Please

https://youtu.be/_tfxJmF7fAk
This essay accompanies Marcia Ramalh’s video for Age of Disclosure’s YouTube channel
Video by Arjan Hartman
The video presents 400 images with the High Technology of Great Tartary, stolen by the Invaders and still in operation worldwide.
Full text from "Tartary Empire - Aether" video
“Aether is the material supposed to fill the region of the universe above the terrestrial sphere. In mythology, it was thought to be the pure essence that the gods breathed, filling the space where they lived, analogous to the air breathed by mortals”. (From Wikipedia)
“Aether”, the “5th element”, means the water that connects everything electromagnetically.
The pseudoscience calls Aether as “dark energy” and “dark matter”.
I Intro
All cities located at strategic points on Earth along rivers, seas, lakes and oceans were Star Fortress and had electromagnetic energy extracted from the ether.
The energy was captured through towers and obelisks and stored in the red and white striped power stations of the High Civilization called Tartary. They always had a fountain with water near them.
This civilization was destroyed in the 19-20 century through floods, energy weapons (DEW) and scheduled mass exterminations and the Earth was suddenly deserted by billions of people. All the architecture and technology of this superior civilization was stolen and passed into the hands of Parasites who created the current ignorant civilization.
This is the story of how a visit to the Berlin Zoo led to the discovery that its magical atmosphere is inherited from the star fortress that housed the city and how all world architecture to this date is designed to extract electromagnetic energy from the ether.
II Berlin Zoo
On the cloudy afternoon of May 27, 2018, Janey Benson visited the Berlin Zoological Garden and realized that there was something different in the air.
"The animals in this zoo are the happiest I have ever seen. I thought it was because they got more oxygen because Berlin is covered by trees, plants and flowers and all the trees are numbered and counted. But then I saw the spires were like those we see in mosques and like pre mudflood photos and I imagined that this was what you were talking about. Is it atmospheric energy? It is in that building that giraffes currently live. If it generated energy I do not know, but I am a witness of the extraordinary happiness that was there”.
"There is something in Berlin that is wonderful and I want to go back there. I want to breathe that air again”.
This is the testimony of the American Janey Benson, who may be associated with the recent past of the Tartar Arian (Tartary) civilization, inherited from the legendary Atlanteans (Titans).
In this civilization, architecture had the function of extracting properties of waves and resonances from the electromagnetic field, to harmonize, heal, prolong life and increase the stature of men, plants and animals.
When the Earth's energy grid was destroyed by the barbarians who came from the "Terra Incognita" (the self called "gods" of Olympus), the density crushed the Titans and threw them into the hell of Tartarus - the name given by “scholars” to the burning Tartary.
And the knowledge and history of the Tartar Aryan civilization was burned out and erased of the memory of many.
III Victory Column
The Berlin zoo visited by Janey gathers the most expressive collection of animal and vegetable species from around the world. There are 1,380 species, 20,200 animals and an Aquarium, surrounded by 35 hectares of vegetation.
The Zoo is within the Tiergarten park, situated opposite the Reichstag dome and has in its center the Victory Column, in granite studded with bronze ornaments. Large domes, towers and columns are always associated with ether energy production.
This is the top of the coil inside the Reichstag dome, protected by mirrors. The tip of the coil seems to have been made with the purest copper and is in the hall below the mirrored part. Its shape copy the top of the old power plants of the East. But this is little to explain the happiness that reigns in the park and throughout the city.
There is a more powerful reason. Berlin was one of the gigantic Star Fortress of the ancient and highly technological civilization of Tartary. This 1688 engraving shows that Berlin was a huge and mighty Star Fortress.
This kind of fortress was not built by normal men. It would require thousands of highly skilled men. And there were such strongholds all over the earth. In addition, the fortress "communicated" with each other to create the worldwide energy grid.
When the invaders who came from Terra Incognita destroyed the perfect electromagnetic grid and created cataclysms, the civilization of Tartary was annihilated and its defensive structures wrecked or were melted and petrified.
Star Fortress provided security, health and harmony for its inhabitants.
It is possible that some of the old magic is still present in the atmosphere of Berlin as in these postcards of 1896 and 1899 ?
At the Berlin zoo, visitors and animals are also given the benefit of the magic sound of the bells.
In the park there is a rare carillon installed at 42 meters high which houses 68 bells of 48 tons and is the fourth in the world in number of bells. Concerts in the park with the historic carillon take place every Sunday at 3 p.m., from May to September. The vibration of bronze, associated with the ethereal electromagnetic current, has a high harmonizing and healing power.
IV Hohenzollern
The carillon history dates back to the first kings of Prussia, Frederick I and II, of the Hohenzollern dynasty.
Wikipedia claims that the German zoo was "opened" in 1844 but on this date Germany did not exist and much less had central government. There was only one confederation with 22 small monarchies and 17 other states that spoke German.
The Tiergarten park and its palace belonged to the Tartary civilization. With the defeat of Tartary and the creation of Germany, the palace was demolished and the Reichstag was erected by the will of the character "Bismarck".
It is likely that Tartaria has designated Berlin Tiergarten to save almost extinct species, in a world that slowly came out of total chaos and sudden climate change. Janey Benson's observation of the numbered trees in Berlin Tiergarten park fits into this hypothesis.
Tiergarten may have been a magnificent Noah's Ark endowed with atmospheric energy, where all species were classified to be saved.
The building surrounded by eight minarets which Janey photographed in the Tiergarten and to which she ascribes the secret of such happiness, continues to secretly store atmospheric energy produced by Victory Column, associated with the Reichstag dome.
And what happens today in the central park of Berlin for the benefit of humans and animals, was carried out in the past throughout the world from the beginning of our Real History.
V Iron and Copper
The high civilization Tartar Aryan extracted electromagnetic energy from the ether through star fortress complexes with power stations, domes, towers, minarets, bridges and obelisks and used the very high thermal and electrical conductivity of copper.
From 7,000 years ago to the 1900s, Tartarian people mined Keweenaw copper at Michigan, US, to provide raw material for domes and coils throughout the world. Its fusion with tin created the bronze that allowed primitive Europe to enter into the modernity that had existed for a long time in territories of Tartary.
From the half of the 1900s, the ”Gray Men" would sent their agents to exterminate Tartarians in "New India" (North America), take their land and minerals and slaughter them and their livestock to feed the newly created industries of Chicago and transport the meat on the roads which would pave the way for the takeover of new territories and create distances that would encourage the oil industry, the use of the automobile and the need for currency expansion and creation of a financial system. But this is another story.
Copper has been mined since the beginning of human history. Venetians ("Phoenicians") mined copper in New World (America) and Cornwall. Copper ingots used in the Middle East and Europe complex were mined and molted in facilities in the Americas.
According to American Indian oral tradition, copper was mined by “red haired white-skinned ‘marine men’ who came from across the sea”. And mines of Almaden in Spain, Huancavelica in Peru and New Almaden in California, provided the mercury.
Wikipedia: “The earliest substantiated and dated evidence of metalworking in the Americas was the processing of copper in Wisconsin, near Lake Michigan. Copper was hammered until brittle then heated so it could be worked some more. This technology is dated to about 4000-5000 BCE. Ancient civilisations knew of seven metals: Iron, Tin, Lead, Copper, Mercury, Silver and Gold.
In the past, “alchemists developed sophisticated, powerful techniques to separate and purify metals” (Wikipedia)
Copper and tin was used extensively, even in helmets, to power plasma (DEW) weapons and to obtain wireless communication.
And iron foundries were the backbone of the world industry until they disappeared in the Great Catastrophe.
VI Coils
The electromagnetic energy was extracted and stored in toroid coils at the power plant summits, covered with copper, positioned below the towers.
When rotating inside coils, magnetic fields create electrical charges in a mercury vortex. Hindu energetic complexes exhibit this function at the top of their structures. “In a coil of multiple turns of wire, the magnetic field of the turns adds in the center of the coil, creating a strong field”, says Wikipedia.
"Coils" can still be seen at the top of the power supply centers in India. Manufactured History and the Invented Religions call these energy factories as ”temples."
Prambanan complex in Indonesia had originally 240 estações de energia in a concentric mandala layout
Power plants have metal hoops where the "toroidal coil" works. Perhaps the "mass dumper" of the Taipei Tower accumulates this function. Modern towers are already built with the domes themselves and they are positioned below the pole that stands up to contact with the ether. A lookout can distract visitors' attention on the tower's true architectural significance.
This metal sphere represents the favorite geometric object of the fictional character “Tesla”, reports Wikipedia. And so it is displayed in a museum in Belgrade with the ashes of the pseudo-inventor. The dark eminences that created the Tesla myth as well as a long list of many other, see themselves as very intelligent and with a great sense of humor. And they appreciate leaving some clues of their frauds in the most unforeseen places.
The star fortress in Haiti, Taj Mahal, Hagia Sofia, Pantheon or Tower of Jewels were production plants and distribution of atmospheric energy, as well as thousands of “cathedrals”, “temples” and palaces around the world.
The original pyramids of Egypt and other places may have played an even more important role in electromagnetic energy production and for this they were the first to be neutralized.
Ancient pyramids and star fortress were so strong and powerful that many needed to be submerged like the Buhen fortress in Egypt, currently at the bottom of Nassar Lake, in one of the largest floods ever made in the world (1958). Next to it was an old copper factory and a city with 100 thousand inhabitants.
Pyramid-shaped power stations were called "tombs of pharaohs" and covered by sand, water, ice or vegetation such as the pyramids of the Faroe Islands, Antarctica, Bosnia, Russia and China.
VII Skyscrapers
But this is the past. Today the atmospheric energy is extracted by skyscrapers like the Petronas, Taipei, Burj Khalifa, by towers on top of hills, roofs of buildings or through ”Radio and TV broadcast towers" such as Ostankino Tower, Oriental Pearl, Jin Mao, Shanghai or Tianjin. And this energy is no longer free or clean, besides being expensive.
Skyscrapers are modern power plants and work in conjunction with metal structures of bridges whose iron is in contact with water and has spheres that may contain minicoils and mercury in the upper part.
The Empire State and the Manhattan Bridge were built by the Tartarians long before 1900. Just like the Tour Eiffel. By 1953, at least, the Invading Parasites had built nothing in cities around the world. Just destroyed. All buildings erected until the 1950’s belong to the Tartary civilization. It was only from the 1960’s that poor and ugly buildings-crates of the new civilization would begin to be erected.
Photographs that purport to show the construction of the Empire State Building are false and are nothing more than photomontages overlapping high quality glass negatives with photos of some wood boards and false workers in the foreground.
Skyscrapers are modern powerhouses. When Tartarian plans to erect the Empire State Building began to be drawn, the goal was to capture enough energy to illuminate Lake Ontario, Vermont, Buffalo, Albany, Pennsylvania, Massachusetts, and Connecticut. This objective is registered on the aluminum plate in the hall of the building built by the Tartary civilization.
In the Chrysler building, Wikipedia expressly points out to 16 points on the 24th floor, which it calls "pineapples", where the mercury would be stored.
Buildings built by Tartary around the world continue to draw atmospheric energy to the invaders until today.
Invaders copied old technology, such as this recent Las Vegas building whose dome produces power to 4,000 apartments and to a fountain with dancing waters, synchronized with lights and music.
Tartary's power plants and buildings were built in granite and geopolymer concrete because they become more resistant with the passage of time and has the superconducting quartz crystal in its composition.
Here are some power station domes working associated with obelisks, minarets and pinnacles in granite and geopolymeric concrete, with columns and ornaments in iron, for extraction of electromagnetic energy.
Electromagnetism produces gigantic invisible "waves" of energy. Transmitting towers receive and emit the electric field to considerable distances.
To transmit wireless electricity as in the past, to more and more extensive regions and with more users, the towers are getting higher.
Towers like these can extract atmospheric energy to feed entire countries.
It is possible that one of the reasons for the WTC's demolition in 9/11 was the need to expand energy extraction technology.
Everyone remembers the huge antenna needle on top of one of the towers being sprayed into the air. WTC towers were obsolete and so they fell to the ground. The demolition dust caused 70,000 cases of cancer. Insurers paid $ 4.55 billion for the old towers' pulverization. The new antenna looks much more powerful.
“An electromagnetic coil is an electrical conductor such as a wire in the shape of a coil, spiral or helix. Either an electric current is passed through the wire of the coil to generate a magnetic field, or conversely an external time-varying magnetic field through the interior of the coil generates an EMF (voltage) in the conductor”. (Wikipedia)
VIII Energy worldwide
All over the world the technology of energy extraction through the atmosphere still works perfectly in castles, buildings, palaces, greenhouses, lighthouses, kiosks, fountains, “mosques”, fortresses, towers, bridges and “cathedrals” that kept the old technological apparatus intact.
This apparatus includes elaborate roof grids and small window-like openings, metal ornaments in the corners of buildings, pointed antennae with ornaments or balls with mercury, metals embedded in masonry and geopolymer concrete, jars containing mercury, cornices, spires, roofs with copper ornaments and structural foundations in iron, among others.
This apparatus is also present in the current skyscrapers.
IX The Architecture to extract energy
The world architecture for electromagnetic energy extraction derives entirely from the High Civilization Tartar Arian. It is characterized by the use of arch openings, columns, domes and towers. In addition to details such as rose windows and muqarnas, symbols of the vibration of electromagnetic energy, which acts on molecules and changes the behavior of cells.
Formerly these waves could act in healing, levitation and transport, besides provoking feelings like harmony and euphoria. This energy can now being used in another way.
The architecture of the Tartary undergoes slight modifications and influences according to the local characteristics of climate, culture and material resources but maintains the basic principles throughout the world.
The Fake History called the Tartary architecture as ”Moorish revival” or “Mauresque” and “Islamic”. And also “Colonial”, “Medieval”, “Neoclassical”, “Baroque”, “Romanesque”, “Gothic”, “Beaux Arts”, “Eclectic”, “Tudor”, “Renaissance”, “Palladian”, “Richardsonian Romanesque”, “Chicago School” or “Victorian”. And labeled them as fashionable styles, to hide the old and true function of its columns, arched openings, pinnacles, rose windows, naves ornamented with iron columns, towers, and domes.
In addition to having cut the ends of the pinnacles in the photographs or add crosses that did not exist before.
X War
After the defeat of the Tartary, all the ancient buildings "destroyed by wars" were miraculously "rebuilt" from the years "1870s" by nonexistent architects whose portraits are a pastiche.
Fantasies like "was destroyed by fire in 1895 and rebuilt in 1901" are written to hide the advanced and superior technology present in the constructions of Tartary long before the 9th century.
Some wars, bombings, or great fires of the past may be historical falsehoods, repeated in 3 different layers like 1776, 1812 and 1870s. In Dresden, for example, there would have been a battle in 1813, revolts that damaged the city in 1848 and 1863, and severe bombing in February 1945. According to Official History, 90% of the city center was destroyed. But this is not entirely true. The main buildings of the old citadel were spared.
There was a selective bombing that targeted residential dwellings as well as factories and military facilities. Dresden was a huge Star Fortress and capital of the Free State of Saxony, which did not obey to the “Pope” and to the new emperors.
The region had been entirely colonized by Slavs and housed over 600,000 war refugees whom the Invaders had an interest in exterminating. Dresden was an important economic center, with 127 factories and military facilities that could house 20,000 people.
The city's skyline continues exactly as it was in the 1800s and probably still draws energy from the ether. But the ancient inhabitants were gone to give place to the invaders.
This building in Dresden, for example, is a huge Tartarian power station, transformed into a mosque by Gray Men acting on behalf of Invading Parasites. Even so, it still retains the red and white colors of Tartary that designated the main function of these structures.
Tartary knew that his enemy was ruthless and terrible and for this they protected their cities throughout the world with immense Star Fortress and great walls. But it was defeated by energy weapons (DEW) and waves of 300 meters of glacial waters that swept the continents and submerged the fortresses.
The enemy was stronger and could have simply destroyed the entire Earth. But he only wanted to exterminate billions of humans to take ownership of his lands, technology, fortunes, and palaces.
The architecture of Tartary used the red color of bricks and clear stripes, to designate power stations and associated structures. Like the station of St Pancras in London, which belonged to the civilization of Tartary and by it was built.
In some regions they could also be striped in black, green or brown. And have a bronze griffin on the roof, the animal symbol of Tartary.
In Cairo, this power station was built in 876, according to Wikipedia. It is the largest and oldest in Egypt, in its original form.
All Tartary power stations, small and large, had pipe organs to harmonize and heal the population through sound waves, what is now known as "cymatics". For this reason, they immediately passed into the hands of the Invaders Parasites after the defeat of Tartary. And so the Presbyterian, Catholic, Anglican, synagogue, mosque temples and churches were born.
"Gods" of Olympus who invaded Earth and falsified History, transformed the powerful energy stations of Tartary into mausoleums, "tombs", monasteries, cloisters, abbeys, synagogues and churches of religions invented in the 20th century. And royal palaces in mosques. Or destroyed them.
The enemy also interrupted the astronomical clocks of Tartary because they used the geocentric model to represent the solar system. In the Tartarian astronomical clocks, the earth was at the center of the solar system. These clocks were complex calculating machines. They used terms like "computus" and to operate them sophisticated mathematical knowledge was required.The invaders invented the heliocentric model and the Copernicus character, among many others, to be able to recreate the history of humanity and erase traces of their recent crimes and destruction of the great civilization of Tartary.
Throughout the world, invading forces that defeated Tartaria appropriated their palaces and red power stations and turned it into universities, museums, theaters, banks, prefectures, chambers of commerce, stock exchange, churches, high school, courts, banks, post offices, libraries, opera theaters, biomedical research institutes, casinos and tourist attraction, as well as cathedrals, synagogues and churches.
And they continue to paint the structures that extract energy from the ether with the same colors as Tartary.
This was the main power station in the whole Europe, located in Budapest, Hungary.
And this is the main power station of Antwerp, Belgium. They were transformed into synagoges by the forces that destroyed Tartary.
And keep destroying.
XII Tartary was the whole world
Asia, Africa, Europe, Oceania and the Americas were part of a single High Civilization and had the architecture focused on the extraction of electromagnetic energy.
Ottoman Empire, Byzantine Empire, Ross Empire or Great Tartary. Many names for the civilization present both in the throne room of the Grand Kremlin Palace in Moscow and in the Library of Congress in Washington.
Tartary was the whole world. And continues to be. And the technology of electromagnetic energy extraction is the same to 7000 years.
This is attested by the Gothic towers, Hindu and Chinese “pagodas” of the 11th century, the African clay “mosque”, the "Presbyterian Church" in Buffalo (NY), the pinnacle studded with metal staples of the 11th century complex of Zamora, the Kantojiu nine spires or the Lingxiao roofs design whose drawings are perfectly reproduced in the contemporary Jin Mao Tower in Shanghai.
However, this energy is not always as beneficial as the Tiergarten park in Berlin.

Rand Paul on the Constitution Discussion Series: The Abuse of Eminent Domain, Donald Trump and the 5th Amendment Takings Clause - October 25, 2015

Private Property

Private property has been a building block of western society for millennia. From Locke’s Labor Theory of Property upon which much of Capitalism is based, to the Labor Theory of Value which has influenced communal ownership ideologies, property has formed a central role in the development of the western world. Early in our history, private property became the basis for economic wealth and political freedom. The early case of Corfield v. Coryell affirmed the right “to take, hold and dispose of property, either real or personal.” While the decision of Vanhorne’s Lessee v. Dorrance eloquently states:

The right of acquiring…property, and having it protected, is one of the natural, inherent, and unalienable rights of man. Men have a sense of property: Property is necessary to their subsistence, and correspondent to their natural wants and desires; its security was one of the objects that induced them to unite in society. No man would become a member of a community, in which he could not enjoy the fruits of his honest labor and industry. The preservation of property then is a primary object of the social compact, and, by the late constitution of Pennsylvania, was made a fundamental law.

A man could effect the government, use property as collateral for business and be given a zone of exclusion to be used for advancing his own purposes. As the availability of property extended beyond white men, so too did prosperity extend to newer groups.
The Constitution has, in many places, clauses protecting private property. The 4th amendment, discussed last week, here, protects us from unwarranted intrusions, the 5th amendment limits the federal government taking property, while the 14th amendment extends these protections to limit the states. The Privileges and Immunities clause, though weakened after the Civil War, was summarized by Campbell v. Morris, stating “one of the great objects [of the clause] was the enabling [of] the citizens of the several States to acquire and hold real property in any of the States.”

The Takings Clause

This week, we will be discussing the Takings Clause of the 5th Amendment which states:
“…nor shall private property be taken for public use, without just compensation.”
There are two parts of the clause, "public use" and "just compensation." “Public use” may seem ordinary, but legal meanings often aren’t the ordinary meanings. What balance must be struck? Must it be 100% for public use? 75%? 5%? Where is the line?
In 1888 Congress passed an act clarifying "Public Use" under Section 728 which stated private companies may be the beneficiaries of eminent domain so long as they put it to public use. This was challenged in U.S. v. Gettysburg Electric Railway Co., 160 U.S. 668 (1896), where private land was given to a private rail company. The court upheld this definition of public use as the railroad would serve the general public. This narrow definition of eminent domain (ED) for private use lasted for 109 years.
Just compensation has been defined to be measured by "the market value of the property at the time of the taking contemporaneously paid in money" (US v. 50 acres of land 469 U.S. 24 (1984)), and is only deviated from "when market value has been too difficult to find, or when its application would result in manifest injustice to owner or public." (United States v. Commodities Trading Corp., 339 U.S. 121, 123 (1950))
The clause is implicated in two ways, Regulatory and Eminent Domain or Condemnation Takings:
Regulatory Takings are the most common:
• After years somewhat confusing and abstract rules like “goes too far,” conceptual severance, reasonable investment backed expectations, and reciprocity of advantage laid out in cases like Penn Coal v. Mahon, 260 U.S. 393 (1922), and Penn Central Station v. NYC, 438 U.S. 104 (1978), regulatory takings underwent a huge shift in 1992.
• In 1992, the USSC decided Lucas v. South Carolina Coastal Council, 505 U.S. 1003 (1992). There, a developer bought land on a barrier island to build residences there. Soon thereafter, the state passed a law prohibiting building on the islands. The developer sued, but the regulation was upheld because it was not a “total taking” as discussed below.
• These changes incorporated some of the earlier doctrines but simplified and condensed their application. “Bright-lining” is a favored hobby of the court, streamlining the analysis. While swift and easy application is often beneficial to individuals and the courts these changes weakened the ability of property owners to defend against Takings.
• Framework now:

(1) Perm. Physical Occupation by 3rd party is a taking where it interferes with an owner’s bundle of rights, such as exclusion, etc. For example, a NY Law which required cable companies to install permanent boxes in all apartments was considered a taking since landlords couldn’t stop cable providers from entering and installing, where as a law which required landlords to install smoke detectors was not since the landlord could install him/herself.
(2) Total Takings are where regulation denies all economically beneficial or productive use of the land unless proscribed use interests not owned by P. Regardless of any purpose, the regulation is only a taking where there is 100% diminution in value of the property. For Example, *Lucas could still exclude, alienate, sell, and use his property for purposes other than what was forbidden. He could have turned it into a campsite the court said.
(3) Common Law Nuisance is not a taking. For example, regulations requiring reduction of the output of harmful chemicals from a factory that is harming neighboring residents.

Eminent Domain is less common but far more destructive to property rights:
As discussed in the public use section, Eminent Domain rules remained largely the same until the 2005 case of Kelo v. The City of New London, Connecticut 545 U.S. 469 (2005). Here, the court once more grappled with finding a balance between public and private benefit. In this case, the City condemned large residential sections of the city to create parks, waterfront access, private commercial buildings and strip malls as well as a large section to be given for development of a new corporate headquarters by the pharmaceutical company Pfizer (who ironically didn't move operations there in the end).
Reluctant to define the scope of public use, the court now gives deference to local communities who are better able to assess their needs. The court extended public use to include public purpose, meaning the land need not actually be used by the public at large, like a railroad, but can be used for example, a new corporate headquarters which would provide jobs to people in the surrounding area as well as tax revenue for the city. The only limits spelled out say that the sole purpose cannot be for the benefit of the private property (often justified by creating jobs), and transfer to a private person cannot benefit a class of identifiable individuals, though this is not dispositive, think low-income housing for poor families.
Pros to the decision:
• Private entities can provide things government can’t.
• Government doesn’t know what’s best for the market.
Cons:
• Destabilizes private property ownership by making it more vulnerable to loss, less attractive to perspective purchasers and less valuable as a result.
• Once the door is opened, private entities can use their power and sway to influence government, i.e. threatening to move operations to another area unless the government takes and gives them an attractive piece of land.
• Limiting to development of blighted areas will displace higher number of poor people and minorities.
• Upends community demographics by making an area more expensive, forcing old residents to move and bringing in new class of residents.
In response to the Majority Opinion, Justice Sandra Day O’Connor’s dissent in the case stated:

“Any property may now be taken for the benefit of another private party, but the fallout from this decision will not be random. The beneficiaries are likely to be those citizens with disproportionate influence and power in the political process, including large corporations and development firms … The Founders cannot have intended this perverse result.”

Famous instances of Donald Trump’s Use of Eminent Domain

Infamous case of Vera Coking:
• Lived near the boardwalk for more than thirty years.
• Trump built Plaza Casino nearby and in the mid-1990’s wanted to build a limousine parking lot.
• Trump purchased surrounding lots, but three owners refused. Trump turned to the Casino Reinvestment Development Authority (CRDA) to take, who offered less than market value before proceeding with a court ordered Taking.
• Coking and the others fought for several years and in 1998 the court rejected CRDA’s demand because there was no guarantee he would use for that purpose.
Expansion of Trump Plaza:
• The Sabatini’s owned an Italian restaurant near the Plaza Hotel. They received $1MM offers from Sands, in the late 1980’s. Trump wanted to expand Plaza so got CRDA to offer $700,000 in 1993 while Trump offered to build them a new restaurant with a monthly lease of $150,000 in the same location once he owned it.
• Upon refusal, CRDA commenced an action to enjoin the taking but the Sabatini’s won, and 12 years later forced Trump to triple his price to purchase the restaurant.
1994 – Bridgeport, Connecticut:
• Attempted but failed to use city’s condemnation powers to take and then repurchase land owned by 5 businesses to create a “world class” $350m office and entertainment complex on the waterfront and turn the city into a “a national tourist destination.”
Trump on ED:
• "I've done a lot of out parcels. Most of the time they just want money," he said. "It's very rarely that they say, 'I love my house. It's the greatest thing.' Because these people buy a house now that's five times bigger in a better location, so eminent domain when it comes to jobs, roads, the public good -- I think it's a wonderful thing."
Trump on Kelo:
• “I happen to agree with it 100%. If you have a person living in an area that’s not even necessarily a good area, and … government wants to build a tremendous economic development, where a lot of people are going to be put to work and … create thousands upon thousands of jobs and beautification and lots of other things, I think it happens to be good.”
Trump clarifies stance:
• “I'm Only For Eminent Domain When It's Used To Create Jobs”

Rand Paul on ED, Keystone Pipeline and Trump’s History

• Keystone XL pipeline bill: [1], [2]
• "Donald Trump's been a big fan of this [eminent domain]… he used it in his business model and has really shown no consideration for small private property owners.”
• Eminent Domain stance and Trump: [1], [2]

Sources not listed or referenced:

• https://en.wikipedia.org/wiki/Fifth_Amendment_to_the_United_States_Constitution#Text
• http://www.nytimes.com/2010/05/01/nyregion/01sabatini.html
• http://www.nytimes.com/1994/10/04/nyregion/our-towns-one-person-s-public-good-is-another-s-squeeze-play.html
• http://www.theguardian.com/commentisfree/2015/aug/19/donald-trumps-eminent-domain-nearly-cost-widow-house
• https://en.wikipedia.org/wiki/Vera_Coking
• https://www.youtube.com/watch?v=lZ6gVJW1ziE
• http://www.breitbart.com/big-government/2015/01/23/sen-rand-paul-democrat-amendment-on-property-rights-key-step-in-reversing-kelo/
• http://www.cbsnews.com/news/donald-trump-eminent-domain-is-a-wonderful-thing/
• http://www.cbsnews.com/news/rand-paul-hits-donald-trump-on-eminent-d

[ROLEPLAY] ! Extreme Instability !

Rapid City Journal (RCJ) - January 21st Edition
1965–1970: Early career Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting.[20]
After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life … Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face – and he looked like he was always saying: 'F--- you!' – I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do – play in a rock band'."[21]
Joel joined the Echoes,[22] a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las.[23] Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version;[24] The released single included a co-producer credit for Artie Ripp,[25] who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead.[26]
In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.[27] Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.[28]
1970–1974: Cold Spring Harbor and Piano Man Joel signed a contract with the record company Family Productions (owned by Artie Ripp but backed by Gulf + Western[29]), with which he recorded his first solo album, Cold Spring Harbor (a reference to Cold Spring Harbor, New York, a town on Long Island). Ripp states that he spent $450,000 developing Joel;[29] nevertheless, the album was mastered at the wrong speed and as a result, the album was a technical and commercial disappointment.[30]
The popular songs "She's Got a Way" and "Everybody Loves You Now" were originally released on this album, but went largely unnoticed until being released as live performances on Songs in the Attic (1981). Columbia released a remastered version of Cold Spring Harbor in 1983.
Joel began his Cold Spring Harbor tour in the fall of 1971, touring with his band (Rhys Clark on drums, Al Hertzberg on guitar, and Larry Russell on bass guitar) throughout the U.S. and Puerto Rico, opening for groups such as the J. Geils Band, The Beach Boys, Badfinger, and Taj Mahal. Joel's performance at the Puerto Rican Mar Y Sol Pop Festival was especially well-received; and although recorded, Joel refused to have it published on the Mar Y Sol compilation album Mar Y Sol: The First International Puerto Rico Pop Festival. Nevertheless, interest in his music grew.[31]
During the spring of 1972, the Philadelphia radio station WMMR-FM began playing a concert recording of "Captain Jack", which became an underground hit on the East Coast. Herb Gordon, a Columbia Records executive, heard Joel's music and introduced him to the company. Joel signed a recording contract with Columbia in 1972 and moved to Los Angeles; he lived there for the next three years.[1][32] For six months he worked at The Executive Room piano bar on Wilshire Boulevard as "Bill Martin". During that time, he composed his signature hit "Piano Man" about the bar's patrons.[33]
Despite Joel's new contract, he was still legally bound to Family Productions. Artie Ripp sold Joel's first contract to Columbia. Walter Yetnikoff, the president of CBS/Columbia Records at the time, bought back the rights to Joel's songs in the late 1970s, giving the rights to Joel as a birthday gift.[34][35] Yetnikoff notes in the documentary film The Last Play at Shea that he had to threaten Ripp to close the deal.
Joel's first album with Columbia was Piano Man, released in 1973. Despite modest sales, Piano Man's title track became his signature song, ending nearly every concert. That year Joel's touring band changed. Guitarist Al Hertzberg was replaced by Don Evans, and bassist Larry Russell by Patrick McDonald, himself replaced in late 1974 by Doug Stegmeyer, who would stay with Joel until 1989. Rhys Clark returned as drummer and Tom Whitehorse as banjoist and pedal steel player; Johnny Almond joined as saxophonist and keyboardist. The band toured the US and Canada extensively, appearing on popular music shows. Joel's songwriting began attracting more attention; in 1974 Helen Reddy recorded "You're My Home" (Piano Man).
1974–1977: Streetlife Serenade and Turnstiles In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth.[36] Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered[by whom?] one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s.
In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album.
Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself.
"Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
1977–1979: The Stranger and 52nd Street Columbia Records introduced Joel to Phil Ramone, who would produce all of Joel's studio albums from The Stranger (1977) to The Bridge (1986). The Stranger was an enormous commercial success, yielding four Top-25 hits on the Billboard charts: "Just the Way You Are" (#3), "Movin' Out" (#17), "Only the Good Die Young" (#24), and "She's Always a Woman" (#17). Joel's first Top Ten album, The Stranger was certified multi-platinum and reached number two on the charts, outselling Simon & Garfunkel's Bridge over Troubled Water,[37] Columbia's previous best-selling album. The Stranger also featured "Scenes from an Italian Restaurant", an album-oriented rock classic, which has become one of his best-known songs.
The Stranger song "Just the Way You Are" — written for Joel's first wife, Elizabeth Weber[38] — was inspired by a dream[39] and won Grammy awards for Record of the Year and Song of the Year.[40] On tour in Paris, Joel learned the news late at night in his hotel room.[22] Rolling Stone ranked The Stranger the 70th greatest album of all time.[41]
Expectations were high for Joel's next album, 52nd Street, which he released in 1978, naming it after Manhattan's famous 52nd Street, which, at the time of its release, served as the world headquarters of CBS/ Columbia. The album sold over seven million copies, propelled to number one on the charts by the following hits: "My Life" (#3); followed successes from the album were "Big Shot" (#14), and "Honesty" (#24). A cover of "My Life" (sung by Gary Bennett) became the theme song for a new television sitcom, Bosom Buddies, which featured actor Tom Hanks in one of his earliest roles. 52nd Street won Grammy awards for Best Pop Vocal Performance, Male and Album of the Year.
In 1979, Joel also traveled to Havana, Cuba, to participate in the historic Havana Jam festival that took place between March 2–4, alongside Rita Coolidge, Kris Kristofferson, Stephen Stills, the CBS Jazz All-Stars, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnegan, Weather Report, and an array of Cuban artists such as Irakere, Pacho Alonso, Tata Güines and Orquesta Aragón.[42] His performance is captured in Ernesto Juan Castellanos's documentary Havana Jam '79.
1979–1983: Glass Houses and The Nylon Curtain The success of his piano-driven ballads like "Just the Way You Are", "She's Always a Woman", and "Honesty" led some critics to label Joel a "balladeer" and "soft rocker". Joel thought these labels were unfair and insulting, and with Glass Houses, he tried to record an album that proved that he could rock harder than his critics gave him credit for, occasionally imitating and referring to the style of new wave rock music that was starting to become popular at the time. On the front cover of the album, Joel is pictured in a leather jacket, about to throw a rock at a glass house (referring to the adage that "people who live in glass houses shouldn't throw stones").
Glass Houses spent six weeks at No. 1 on the Billboard chart and yielded such hits as "You May Be Right" (used as the theme song, covered by Southside Johnny, for the CBS mid-1990s sitcom Dave's World) (#7, May 1980), "Don't Ask Me Why" (#19, September 1980), "Sometimes a Fantasy" (#36, November 1980) and "It's Still Rock and Roll to Me", which became Joel's first Billboard number-one single (for two weeks) in July 1980. "It's Still Rock and Roll to Me" spent 11 weeks in the top 10 of the Billboard Hot 100 and was the 7th biggest hit of 1980 according to American Top 40.
Glass Houses won the Grammy for Best Rock Vocal Performance, Male. It would also win the American Music Award for Favorite Album, Pop/Rock category. The album's closing song, "Through The Long Night" (B-side of the "It's Still Rock & Roll to Me" single), was a lullaby that featured Joel harmonizing with himself in a song he says was inspired by The Beatles' "Yes It Is".[31] In a recorded Masterclass at the University of Pennsylvania, Joel later recollected that he had written to the Beatles asking them how to get started in the music industry. In response, he received a pamphlet about Beatles merchandise. This later led to the idea of Joel conducting Q&A sessions around the world answering questions that people had about the music industry.[43]
His next release, Songs in the Attic, was composed of live performances of less well-known songs from the beginning of his career. It was recorded during larger US arenas and intimate night club shows in June and July 1980. This release introduced many fans, who discovered Joel when The Stranger became a smash in 1977, to many of his earlier compositions. The album reached No. 8 on the Billboard chart and produced two hit singles: "Say Goodbye to Hollywood" (#17), and "She's Got a Way" (#23). It sold over 3 million copies. Though not as successful as some of his previous albums, the album was still considered a success by Joel.[31]
The next wave of Joel's career commenced with the recording of his next studio album, The Nylon Curtain. With The Nylon Curtain, Joel became more ambitious with his songwriting, trying his hand at writing topical songs like "Allentown" and "Goodnight Saigon". Joel has stated that he wanted the album to communicate his feelings about the American Dream and how changes in American politics during the Reagan years meant that "all of a sudden you weren't going to be able to inherit [the kind of life] your old man had."[44] He also tried to be more ambitious in his use of the recording studio. Joel said that he wanted to "create a sonic masterpiece" on The Nylon Curtain. So he spent more time in the studio, crafting the sound of the album, than he had on any previous album.[44] Production of The Nylon Curtain began in the fall of 1981. However, production was temporarily delayed when Joel was involved in a serious motorcycle accident on Long Island on April 15, 1982, severely injuring his hands. Still, Joel quickly recovered from his injuries, and the album only ended up being delayed by a few months.[45]
In 1982, he embarked on a brief tour in support of the album. From one of the final shows of the tour, Joel made his first video special, Live from Long Island, which was recorded at the Nassau Veterans Memorial Coliseum in Uniondale, New York on December 30, 1982. It was originally broadcast on HBO in 1983 before it became available on VHS.
The Nylon Curtain went to No. 7 on the charts, partially due to heavy airplay on MTV for the videos to the singles "Allentown" and "Pressure". "Allentown" spent six weeks at a peak position of No. 17 on the Billboard Hot 100, making it one of the most-played radio songs of 1982, pushing it into 1983's year-end Top 70, and making it the most successful song from The Nylon Curtain album, besting "Pressure" which peaked at No. 20 (where it resided for three weeks) and "Goodnight Saigon" which reached No. 56 on U.S. charts.[46]
1983–1988: An Innocent Man and The Bridge Joel's next album moved away from the serious themes of The Nylon Curtain and struck a much lighter tone. The album An Innocent Man was Joel's tribute to R&B and doo wop music of the 1950s and 1960s and resulted in Joel's second Billboard number-one hit, "Tell Her About It", which was the first single off the album in the summer of 1983. The album itself reached No. 4 on the charts and No. 2 in UK. It also boasted six top-30 singles, the most of any album in Joel's catalog. The album was well received by critics, with Stephen Thomas Erlewine, senior editor for AllMusic, describing Joel as being "in top form as a craftsman throughout the record, effortlessly spinning out infectious, memorable melodies in a variety of styles."[47]
At the time that the album was released, WCBS-FM began playing "Uptown Girl" both in regular rotation and on the Doo Wop Live.[48][49] The song became a worldwide hit upon its release. The music video of the song, originally written about then girlfriend Elle MacPherson, featured future wife Christie Brinkley as a high society girl, whose car pulls into the gas station where Joel's character is working. At the end of the video, Joel's "grease monkey" character drives off with his "uptown girl" on the back of a motorcycle. When Brinkley went to visit Joel after being asked to star in the video, the first thing Joel said to her upon opening his door was "I don't dance". Brinkley had to walk him through the basic steps he does in the video. Their work together on this video shoot sparked a relationship between the two which would later lead to their marriage in 1985.[50]
In December, the title song, "An Innocent Man", was released as a single and it peaked at No. 10 in the U.S. and No. 8 in the UK, early in 1984. That March, "The Longest Time" was released as a single, peaking at No. 14 on the Hot 100 and No. 1 on the Adult Contemporary chart. That summer, "Leave a Tender Moment Alone" was released and it hit No. 27 while "Keeping the Faith" peaked at No. 18 in January 1985. In the video for "Keeping the Faith", Christie Brinkley also plays the "redhead girl in a Chevrolet". An Innocent Man was also nominated for the Album of the Year Grammy, but lost to Michael Jackson's Thriller.
Joel participated in the USA For Africa We Are The World project in 1985, capping off a series of successful singles.
Following the success of An Innocent Man, Joel was asked about releasing an album of his most successful singles. This was not the first time this topic had come up, but Joel had initially considered "Greatest Hits" albums as marking the end of one's career. This time he agreed, and Greatest Hits Vol. 1 and 2 was released as a four-sided album and two-CD set, with the songs in the order in which they were released. The new songs "You're Only Human (Second Wind)" and "The Night Is Still Young" were recorded and released as singles to support the album; both reached the top 40, peaking at No. 9 and No. 34, respectively. Greatest Hits was highly successful and it has since been certified double diamond by the RIAA, with over 11.5 million copies (23 million units) sold. It is one of the best-selling albums in American music history, according to the RIAA.
Coinciding with the Greatest Hits album release, Joel released a two-volume Video Album that was a compilation of the promotional videos he had recorded from 1977 to the present time. Along with videos for the new singles off the Greatest Hits album, Joel also recorded a video for his first hit, "Piano Man", for this project.
Though it broke into the top ten, Joel's next album, The Bridge (1986), did not achieve the level of success of his previous albums, but it yielded the hits "A Matter of Trust" and "Modern Woman" from the film Ruthless People, a dark comedy from the directors of Airplane! (both #10). In a departure from his "piano man" persona, Joel is shown in the video playing a Gibson Les Paul. The ballad "This is the Time" also charted, peaking at No. 18.
On November 18, 1986, an extended version of the song "Big Man on Mulberry Street" was used on a Season 3 episode of Moonlighting. The episode itself was also titled "Big Man on Mulberry Street".
The Bridge was Joel's last album to carry the Family Productions logo, after which he severed his ties with Artie Ripp. Joel has also stated in many interviews, most recently in a 2008 interview in Performing Songwriter magazine, that he does not think The Bridge is a good album.
In October 1986, Joel and his handlers started planning a trip to the Soviet Union. He became one of the first American rock acts to play there since the Berlin Wall went up, a fact not lost on history buff Joel.[51] There were live performances at indoor arenas in Moscow, Leningrad and Tbilisi. Joel, his family (including young daughter Alexa), and his full touring band made the trip in August 1987. The entourage was filmed for television and video to offset the cost of the trip, and the concerts were simulcast on radio around the world. Joel's Russian tour was the first live rock radio broadcast in Soviet history.[52]
Most of that audience took a long while to warm up to Joel's energetic show, something that had never happened in other countries he had performed in. According to Joel, each time the fans were hit with the bright lights, anybody who seemed to be enjoying themselves froze. In addition, people who were "overreacting" were removed by security.[53] It was during this concert that Joel, enraged by the bright lights, flipped his electric piano and snapped a microphone stand while continuing to sing the current part of the set.[54] He later apologized for that incident.
The album КОНЦЕРТ (Russian for "Concert") was released in October 1987. Singer Pete Hewlett was brought in to hit the high notes on his most vocally challenging songs, like "An Innocent Man". Joel also did versions of The Beatles' classic "Back in the U.S.S.R." and Bob Dylan's "The Times They Are a-Changin". It has been estimated that Joel lost more than $1 million of his own money on the trip and concerts, but he has said the goodwill he was shown there was well worth it.[31]
1988–1993: Storm Front and River of Dreams The recording of the album Storm Front, which commenced in 1988, coincided with major changes in Joel's career and inaugurated a period of serious upheaval in his business affairs. In August 1989, just before the album was released, Joel dismissed his manager (and former brother-in-law) Frank Weber after an audit revealed major discrepancies in Weber's accounting. Joel subsequently sued Weber for $90 million, claiming fraud and breach of fiduciary duty and in January 1990 he was awarded $2 million in a partial judgment against Weber; in April, the court dismissed a $30 million countersuit filed by Weber.[55]
The first single for the album, "We Didn't Start the Fire", was released in September 1989 and it became Joel's third and – to date – most-recent US number-one hit, spending two weeks at the top. Storm Front was released in October, and it eventually became Joel's first number-one album since Glass Houses, nine years earlier. Storm Front was Joel's first album since Turnstiles to be recorded without Phil Ramone as producer. For this album, he wanted a new sound, and worked with Mick Jones of Foreigner fame. Joel is also credited as one of the keyboard players on Jones' 1988 self-titled solo album, and is featured in the official video for Jones' single "Just Wanna Hold"; Joel can be seen playing the piano while his then-wife Christie Brinkley joins him and kisses him. Joel also revamped his backing band, dismissing everyone but drummer Liberty DeVitto, guitarist David Brown, and saxophone player Mark Rivera, and bringing in new faces, including multi-instrumentalist Crystal Taliefero.
Storm Front's second single, "I Go to Extremes" reached No. 6 in early 1990. The album was also notable for its song "Leningrad", written after Joel met a clown in the Soviet city of that name during his tour in 1987, and "The Downeaster Alexa", written to underscore the plight of fishermen on Long Island who are barely able to make ends meet. Another well-known single from the album is the ballad "And So It Goes" (#37 in late 1990). The song was originally written in 1983, around the time Joel was writing songs for An Innocent Man; but "And So It Goes" did not fit that album's retro theme, so it was held back until Storm Front. Joel said in a 1996 Masterclass session in Pittsburgh that Storm Front was a turbulent album and that "And So It Goes", as the last song on the album, portrayed the calm and tranquility that often follows a violent thunderstorm.
In the summer of 1992, Joel filed another $90 million lawsuit against his former lawyer Allen Grubman, alleging a wide range of offenses including fraud, breach of fiduciary responsibility, malpractice and breach of contract[56] but the case was eventually settled out of court for an undisclosed sum.[57]
In 1992, Joel inducted the R&B duo Sam & Dave into the Rock & Roll Hall of Fame. That year, Joel also started work on River of Dreams, finishing the album in early 1993. Its cover art was a colorful painting by Christie Brinkley that was a series of scenes from each of the songs on the album. The eponymous first single was the last top 10 hit Joel has penned to date, reaching No. 3 on Billboard's Hot 100 chart and ranking at No. 21 on the 1993 year-end Hot 100 chart. In addition to the title track, the album includes the hits "All About Soul" (with Color Me Badd on backing vocals) and "Lullabye (Goodnight, My Angel)", written for his daughter, Alexa. A radio remix version of "All About Soul" can be found on The Essential Billy Joel (2001), and a demo version appears on My Lives (2005).
The song "The Great Wall of China" was written about his ex-manager Frank Weber and was a regular in the setlist for Joel's 2006 tour. "2000 Years" was prominent in the millennium concert at Madison Square Garden, December 31, 1999, and "Famous Last Words" closed the book on Joel's pop songwriting for more than a decade.
1993–present: Touring Beginning in 1994, Joel toured extensively with Elton John on a series of "Face to Face" tours, making them the longest running and most successful concert tandem in pop music history.[58] During these shows, the two have played their own songs, each other's songs and performed duets. They grossed over US$46 million in just 24 dates in their sold out[59] 2003 tour. Joel and John resumed the Face to Face tour in March 2009[59] and it ended again, at least for the time being, in March 2010 in Albany, New York, at the Times Union Center. In February 2010, Joel denied rumors in the trade press that he canceled a summer 2010 leg of the tour, claiming there were never any dates booked and that he intended to take the year off.[60] Joel told Rolling Stone magazine: "We'll probably pick it up again. It's always fun playing with him."[61]
Joel performing in 2007 in Florida On August 25, 1994, Joel and second wife Christie Brinkley divorced, but they remained friends.
1997's "To Make You Feel My Love" and "Hey Girl" both charted from Joel's Greatest Hits Volume III album. Joel wrote and recorded the song "Shameless" that was later covered by Garth Brooks and reached No. 1 on Billboard's country charts. Joel performed with Brooks during his Central Park concert in 1997. To add onto his achievements Joel was inducted into the Rock 'n Roll Hall of Fame in 1999. Ray Charles made the induction speech and mentioned the duet Joel wrote for the two of them, "Baby Grand" (a track on Joel's album The Bridge released in 1986).
On December 31, 1999, Joel performed at New York's Madison Square Garden. At the time, Joel said that it would be his last tour and possibly his last concert. Two of his performances from that night, "We Didn't Start the Fire" and "Scenes from an Italian Restaurant" were filmed and featured that night as part of ABC's special New Year's Y2K coverage. The concert (dubbed The Night of the 2000 Years) ran for close to four hours and was later released as 2000 Years: The Millennium Concert.
In 2001, Joel released Fantasies & Delusions, a collection of classical piano pieces. All were composed by Joel and performed by Hyung-ki Joo. Joel often uses bits of these songs as interludes in live performances, and some of them are part of the score for the hit show Movin' Out. The album topped the classical charts at No. 1. Joel performed "New York State of Mind" live on September 21, 2001, as part of the America: A Tribute to Heroes benefit concert, and on October 20, 2001, along with "Miami 2017 (Seen the Lights Go Out on Broadway)", at the Concert for New York City in Madison Square Garden. That night, he also performed "Your Song" with Elton John.
In 2003, Joel inducted The Righteous Brothers into the Rock and Roll Hall of Fame, noting that his song "Until the Night" from the album 52nd Street was a tribute to the duo.
In 2005, Columbia released a box set, My Lives, which is largely a compilation of demos, b-sides, live/alternate versions and even a few Top 40 hits. The compilation also includes the Umixit software, in which people can remix "Zanzibar" and a live version of "I Go to Extremes" with their PC. Also, a DVD of a show from the River of Dreams tour is included.
Billy Joel with his band performing in California On January 7, 2006, Joel began a tour across the U.S. Having not written, or at least released, any new songs in 13 years, he featured a sampling of songs from throughout his career, including major hits as well as obscure tunes like "Zanzibar" and "All for Leyna". His tour included an unprecedented 12 sold-out concerts over several months at Madison Square Garden in New York City. The singer's stint of 12 shows at Madison Square Garden broke a previous record set by New Jersey native Bruce Springsteen, who played 10 sold-out shows at the same arena. The record earned Joel the first retired number (12) in the arena owned by a non-athlete. This honor has also been given to Joel at the Wells Fargo Center (Philadelphia) (formerly the Wachovia Center) in Philadelphia where a banner in the colors of the Philadelphia Flyers is hung honoring Joel's 46 Philadelphia sold-out shows. He also had a banner raised in his honor for being the highest grossing act in the history of the Times Union Center (formerly the Knickerbocker Arena and Pepsi Arena) in Albany, New York. This honor was given to him as part of the April 17, 2007, show he did there. On June 13, 2006, Columbia released 12 Gardens Live, a double album containing 32 live recordings from a collection of the 12 different shows at Madison Square Garden during Joel's 2006 tour.
Joel visited the United Kingdom and Ireland for the first time in many years as part of the European leg of his 2006 tour. On July 31, 2006, he performed a free concert in Rome, with the Colosseum as the backdrop.[62]
Joel toured South Africa, Australia, Japan, and Hawaii in late 2006, and subsequently toured the Southeastern U.S. in February and March 2007 before hitting the Midwest in the spring of 2007. On January 3 of that year, news was leaked to the New York Post that Billy had recorded a new song with lyrics—this being the first new song with lyrics he'd written in almost 14 years.[63] The song, titled "All My Life", was Joel's newest single (with second track "You're My Home", live from Madison Square Garden 2006 tour) and was released into stores on February 27, 2007.[64] On February 4, Joel sang the national anthem for Super Bowl XLI, becoming the first to sing the national anthem twice at a Super Bowl. and on April 17, 2007, Joel was honored in Albany, New York, for his ninth concert at the Times Union Center. He is now holding the highest box office attendance of any artist to play at the arena. A banner was raised in his honor marking this achievement.
On December 1, 2007, Joel premiered his new song "Christmas in Fallujah".[65] The song was performed by Cass Dillon, a new Long Island based musician, as Joel felt it should be sung by someone in a soldier's age range (though he himself has played the song occasionally in concert.) The track was dedicated to servicemen based in Iraq. Joel wrote it in September 2007 after reading numerous letters sent to him from American soldiers in Iraq. "Christmas in Fallujah" is only the second pop/rock song released by Joel since 1993's River of Dreams. Proceeds from the song benefited the Homes For Our Troops foundation.
Joel with Mike DelGuidice in 2016 On January 26, 2008, Joel performed with the Philadelphia Orchestra celebrating the 151st anniversary of the Academy of Music. Joel premiered his new classical piece titled, "Waltz No. 2 (Steinway Hall)" arranged by Brad Ellis. He also played many of his less well-known pieces, with full orchestral backing arranged by Mr. Ellis, including the rarely performed Nylon Curtain songs "Scandinavian Skies" and "Where's the Orchestra?".
On March 10, 2008, Joel inducted his friend John Mellencamp into the Rock and Roll Hall of Fame in a ceremony at the Waldorf Astoria Hotel in New York City.
Joel's staying power as a touring act continues to the present day. He sold out 10 concerts at the Mohegan Sun Casino in Uncasville, Connecticut from May to July 2008. The casino honored him with a banner displaying his name and the number 10 to hang in the arena. On June 19, 2008, he played a concert at the grand re-opening of Caesars Windsor (formerly Casino Windsor) in Windsor, Ontario, Canada to an invite-only crowd for Casino VIPs. His mood was light, and joke-filled, even introducing himself as "Billy Joel's dad" and stating "you guys overpaid to see a fat bald guy". He also admitted that Canadian folk-pop musician Gordon Lightfoot was the musical inspiration for "She's Always A Woman".[66]
On July 16, 2008, and July 18, 2008, Joel played the final concerts at Shea Stadium before its demolition. His guests included Tony Bennett, Don Henley, John Mayer, John Mellencamp, Steven Tyler, Roger Daltrey, Garth Brooks, and Paul McCartney. The concerts were featured in the 2010 documentary film Last Play at Shea. The film was released on DVD on February 8, 2011. The CD and DVD of the show, Live at Shea Stadium were released on March 8, 2011.
On December 11, 2008, Joel recorded his own rendition of "Christmas in Fallujah" during a concert at Acer Arena in Sydney and released it as a live single in Australia only. It is the only official release of Joel performing "Christmas in Fallujah", as Cass Dillon sang on the 2007 studio recording and the handful of times the song was played live in 2007. Joel sang the song throughout his December 2008 tour of Australia.
On May 19, 2009, Joel's former drummer, Liberty DeVitto, filed a lawsuit in NYC claiming Joel and Sony Music owed DeVitto over 10 years of royalty payments. DeVitto had never been given songwriting or arranging credit on any of Joel's songs, but he claimed that he helped arrange some of them, including "Only the Good Die Young".[67] In April 2010, it was announced that Joel and DeVitto amicably resolved the lawsuit.[68]
2011 marked the 40th anniversary of the release of Joel's first album, Cold Spring Harbor. According to Joel's official website, to commemorate this anniversary, Columbia/Legacy Recordings originally planned "to celebrate the occasion with a definitive reissue project of newly restored and expanded Legacy editions of the complete Billy Joel catalog, newly curated collections of rarities from the vaults, previously unavailable studio tracks and live performances, home video releases and more", although this never fully came to fruition.[69] The album Piano Man was re-released in a two-disc Legacy edition in November 2011.[69]
In 2012, Joel signed an exclusive worldwide publishing agreement with Universal Music Publishing Group (UMPG), and its subsidiary Rondor Music International. Under the agreement, UMPG and Rondor replaced EMI Music Publishing in handling Joel's catalog outside the U.S. Additionally, the agreement marked the first time since Joel regained control of his publishing rights in the 1980s that he began to use an administrator to handle his catalog within the U.S. The agreement's focus is on increasing the use of Joel's music in movies, television programs, and commercials.[70]
On December 12, 2012, Joel performed as part of 12-12-12: The Concert for Sandy Relief at Madison Square Garden, a concert held for all the victims of Hurricane Sandy. He changed the lyrics to "Miami 2017 (Seen the Lights Go Out on Broadway)" to make it relate to all the damage caused by Sandy.
In May 2013, it was announced that Joel would hold his first ever indoor Irish concert at the O2 in Dublin on November 1. He subsequently announced his return to the UK for the first time in seven years to perform three dates in October and November. Joel played two arena dates in Manchester and Birmingham plus a very special show at London's Hammersmith Apollo. In October, Joel held a surprise concert on Long Island at The Paramount (Huntington, New York) to benefit Long Island Cares. The venue holds a capacity of 1,555 and sold out in five minutes. Joel headlined a solo arena concert in New York City for the first time since 2006 when he performed at Barclays Center in Brooklyn on December 31, 2013. In 2015, Joel performed 21 concerts (in addition to his Madison Square Garden residency) from January 7 to August 2 in various cities around the U.S. and Canada.
On December 3, 2013, it was announced that Joel would become a franchise of Madison Square Garden, playing one concert a month indefinitely, starting with a date on January 27, 2014.[71]
Joel performing at Madison Square Garden in 2016 On January 7, 2014, the Billy Joel in Concert tour began. Joel kicked off the 2014 New Year in the Amway Center (in Orlando, Florida) and performed several cover songs such as Elton John's "Your Song", Billy Preston's "You Are So Beautiful" (in tribute to Joe Cocker), The Beatles' "With a Little Help from My Friends", "Can't Buy Me Love", and "When I'm 64", Robert Burns' "Auld Lang Syne", and AC/DC's "You Shook Me All Night Long" (with Brian Johnson). Rufus Wainwright joined Joel during the concert to sing "New York State of Mind".[72] Joel also performed an unusual set, including the song "Souvenir" (from 1974's Streetlife Serenade) and excluding "We Didn't Start the Fire".[73]
On August 4, 2015 Joel played the final concert at Nassau Coliseum before the arena underwent a $261 million renovation.[74]
On April 5, 2017 Joel played the first concert at the newly renovated Nassau Coliseum.
On June 24, 2017, he returned to Hicksville High School fifty years after his would-be graduating class received their diplomas,[75] to deliver the honorary commencement address. It was also the 25th anniversary of receiving his own diploma from the same High School.

[WEEKEND RECAP] Danny Garcia vs Mauricio Herrera, Tomasz Adamek vs Vyacheslav Glazkov, Tony Bellew vs Velery Brudov + more

Las Vegas Sands to Sell Pennsylvania Casino for $1.3 Billion

All of the MPAA/CARA-rated films of 2009 (out of the 7,004 films released worldwide that year.)

Aussie + Ted’s Great Adventure (Director: Shuki Levy)
Bomb! (Director: Antonio de Santos)
Curious George II: Follow That Monkey! (Director: Norton Virgien)
Hachi: A Dog’s Tale (Director: Lasse Hallström)
Hannah Montana: The Movie (Director: Peter Chelsom)
Jack And The Beanstalk (Director: Gary J. Tunnicliffe)
Kikkerdril (Director: Simone van Dusseldorp)
Mandie + The Secret Tunnel (Directors: Joy Chapman + Owen Smith)
Opposite Day (Director: R. Michael Givens)
Pelle Politibil går i vannet (Rasmus A. Sivertsen)
Sam Steele and the Junior Detective Agency (Director: Tom Whitus)
The Legacy (Director: Bernard Émond)
The Mighty Macs (Director: Tim Chambers)
The Princess And The Frog (Directors: Ron Clements + John Musker)
The Strawberry Shortcake Movie: Sky's the Limit (Directors: David Mucci Fassett + Michael Hack)
The True Story Of Puss ‘N Boots (Directors: Jérôme Deschamps, Pascal Hérold + Macha Makeïeff)
The Velveteen Rabbit (Director: Michael Landon, Jr.)
The Wild Stallion (Director: Craig Clyde)
Tinker Bell And The Lost Treasure (Director: Klay Hall)
Trail Of The Panda (Director: Zhong Yu)

A Christmas Carol (Director: Robert Zemeckis)
A Little Bit Of Faith (Director: Tiana Hailey)
A Shine Of Rainbows (Director: Vic Sarin)
Adam (Director: Joseph Minasi)
Alabama Moon (Director: Tim McCanlies)
Alien Trespass (Director: R.W. Goodwin)
Aliens In The Attic (Director: John Schultz)
Alvin + The Chipmunks: The Squeakquel (Director: Betty Thomas)
Amargura (Director: Antonio de Santos)
Amelia (Director: Mira Nair)
Arthur and the Revenge of Maltazard (Director: Luc Besson)
Astro Boy (Director: David Bowers)
Babysitters Beware (Director: Douglas Horn)
Bandslam (Director: Todd Graff)
Bigfoot (Director: Kevin Tenney)
Bride Wars (Director: Gary Winick)
Bright Star (Director: Jane Campion)
Broken Hill (Director: Dagen Merrill)
C Me Dance (Director: Greg Robbins)
Cairo Time (Director: Ruba Nadda)
Call Of The Wild (Director: Richard Gabai)
Cayman Went (Director: Bobby Sheehan)
Christmas Angel (Director: Brian Brough)
Christmas In Beverly Hills (Director: Neri Parenti)
Cloudy With A Chance Of Meatballs (Directors: Phil Lord + Christopher Miller)
Confessions Of A Shopaholic (Director: P.J. Hogan)
Coraline (Director: Henry Selick)
Coyote County Loser (Director: Jason Naumann)
Disco Cops: The Movie (Director: Tanner Robbins)
Dragonball: Evolution (Director: James Wong)
Earthwork (Director: Chris Ordal)
Faces (Director: Thomas R. Dickens)
Fame (Director: Kevin Tancharoen)
Fantastic Mr. Fox (Director: Wes Anderson)
From Time To Time (Director: Julian Fellowes)
G-Force (Director: Hoyt Yeatman)
A Ted Named Gooby (Gooby) (Director: Wilson Coneybeare)
Harry Potter + The Half-Blood Prince (Director: David Yates)
Heiran (Director: Shalizeh Arefpoor)
Hiroshima (Director: Pablo Stoll)
Hotel For Dogs (Director: Thor Freudenthal)
Ice Age: Dawn Of The Dinosaurs (Directors: Carlos Saldanha + Mike Thurmeier)
If God Wants (Director: Arthur Diennet)
Jump (Director: Stephen Fung)
Little Hercules (in 3-D) (Director: Mohamed Khashoggi)
Looking For Jackie (Directors: Gangliang Fang + Ping Jiang)
Lost In The Woods (Director: Jim Wynorski)
Luke And Lucy: The Texas Rangers (Directors: Wim Bien + Mark Mertens)
Mao’s Last Dancer (Director: Bruce Beresford)
Minor Details (Director: John Lyde)
Monsters vs. Aliens (Directors: Rob Letterman + Conrad Vernon)
Nativity! (Director: Debbie Isitt)
New In Town (Director: Jonas Elmer)
Night At The Museum: Battle Of The Smithsonian (Director: Shawn Levy)
Old Dogs (Director: Walt Becker)
One Good Man (Director: Christian Vuissa)
Party Time: The Movie (Director: Juanma Fernández-Paris)
Paul Blart: Mall Cop (Director: Steve Carr)
Pedro (Director: undisclosed)
Planet 51 (Directors: Jorge Blanco, Javier Abad + Marcos Martínez)
Princess Kaiulani (Director: Marc Forby)
Race To Witch Mountain (Director: Andy Fickman)
Raising Kayn (Director: Colton Tran)
Right Hand Drive (Director: Mark Kalbskopf)
Seafoam + Salmon (Director: Sarah Kim)
Shadows Of The Past (Director: Warren Ryan)
Shannon’s Rainbow (Director: Frank E. Johnson)
Shorts (Director: Robert Rodriguez)
Silent Nights (Director: Tom Poehlmann)
Sticky Fingers (Director: Ken Scott)
Summer Wars (Director: Mamoru Hosoda)
Super Capers: The Origins of Ed and the Missing Bullion (Director: Ray Griggs)
The Bee (Director: David Rountree)
The Dolphin: Story Of A Dreamer (Director: Eduardo Schuldt)
The Last Passport (Directors: Kent Smith + David Temple)
The Lightkeepers (Director: Daniel Adams)
The Lost + Found Family (Director: Barnet Bain)
The Perfect Game (Director: William Dear)
The Pink Panther II (Director: Harald Zwart)
The Prodigy (Director: Robert D. Hanna)
The Search (Director: Perna Tseden)
The Stinkville Monster (Director: Tony Trombo)
The Three Investigators and the Secret of Terror Castle (Director: Florian Baxmeyer)
The Young Victoria (Director: Jean-Marc Vallée)
Toys In The Attic (Directors: Jirí Barta + Vivian Schilling)
Up (Director: Pete Docter + Bob Peterson)
When North Winds Blow (Director: James M. De Vince)
Where The Wild Things Are (Director: Spike Jonze)
Wild Grass (Director: Alain Resnais)

PG-13

12 Rounds (Director: Renny Harlin)
17 Again (Director: Burr Steers)
2012 (Director: Roland Emmerich)
3 Idiots (Director: Rajkumar Hirani)
(500) Days Of Summer (Director: Marc Webb)
9 (Director: Shane Acker)
A Secret Promise (Director: Fred Manocherian)
A Serious Man (Director: Joel Coen)
According To Greta (Director: Nancy Bardawil)
Adam (Director: Max Mayer)
After Last Season (Director: Mark Region)
All About Steve (Director: Phil Traill)
All Ages Night (Director: Nancy Montuori Stein)
All For Liberty (Director: Chris Weatherhead)
All’s Faire In Love (Director: Scott Marshall)
Amor y Frijoles (Directors: Mathew Kodath + Hernan Pereira)
Amreeka (Director: Cherien Dabis)
An Education (Director: Lone Scherfig)
Angels + Demons (Director: Ron Howard)
Armored (Director: Nimród Antal)
Avatar (Director: James Cameron)
B-Girl (Director: Emily Dell)
Better The Devil You Know (Director: Greg Augustine)
Beyond A Reasonable Doubt (Director: Peter Hyams)
Black Sheep (Director: Humberto Hinojosa Ozcariz)
Black + Blue (Director: Jill Maxcy)
Bounty (Director: Jared Isham)
Bran Nue Dae (Director: Rachel Perkins)
Carriers (Directors: David Pastor + Àlex Pastor)
Chandni Chowk To China (Director: Nikkhil Advani)
Cirque du Freak: The Vampire's Assistant (Director: Paul Weitz)
City Island (Director: Raymond De Felitta)
Coco Before Chanel (Director: Anne Fontaine)
Cold Souls (Director: Sophie Barthes)
Couples Retreat (Director: Peter Billingsley)
Creation (Director: Jon Amiel)
Dance Flick (Director: Damien Dante Wayans)
Dear Lemon Lima (Director: Suzi Yoonessi)
Did You Hear About The Morgans? (Director: Marc Lawrence)
Drag Me To Hell (Director: Sam Raimi)
Dragon Hunter (Director: Stephen Shimek)
Duplicity (Director: Tony Gilroy)
Echelon Conspiracy (Director: Greg Marcks)
Endgame (Director Pete Travis)
Everybody’s Fine (Director: Kirk Jones)
Fanboys (Director: Kyle Newman)
Farzaneh (Director: David Brokhim)
Fast + Furious (Director: Justin Lin)
Father And Guns (Director: Émile Gaudreault)
Fighting (Director: Dito Montiel)
Fire From Below (Directors: Andrew Stevens + Jim Wynorski)
Fired Up! (Director: Will Gluck)
Flying By (Director: Jim Amatulli)
For Sale By Owner (Director: Robert J. Wilson)
Forget (Director: Jacob Landis-Eigsti)
Frequently Asked Questions About Time Travel (Director: Gareth Carrivick)
From Mexico With Love (Director: Jimmy Nickerson)
G.I. Joe: The Rise Of Cobra (Director: Stephen Sommers)
Gentlemen Broncos (Director: Jared Hess)
Get Low (Director: Aaron Schneider)
Ghosts Of Girlfriends Past (Director: Mark Waters)
God Send Me A Man (Directors: Emmbre Perry + Curtis Von)
God, Me...HIV? One Man Show (Directors: Devin T. Robinson + Darien F. Rodriguez)
Grilling Bobby Hicks (Director: Tommy Wood)
H2O Extreme (Director: William Scharpf)
He’s Just Not That Into You (Director: Ken Kwapis)
Hell’s Fury: Wanted Dead Or Alive (Director: Alan Chan)
HER (Directors: Tyrone Tann + Omega Kayne)
Hillbilly Bob Zombie (Director: Ray Basham)
Hurricane Season (Director: Tim Story)
I Can Do Bad All By Myself (Director: Tyler Perry)
I Hate Valentine’s Day (Director: Nia Vardalos)
I Love You, Beth Cooper (Director: Chris Columbus)
Imagine That (Director: Karey Kirkpatrick)
Invictus (Director: Clint Eastwood)
Irene In Time (Director: Henry Jaglom)
It’s A Mismatch (Director: Ajmal Zaheer Ahmad)
Julie + Julia (Director: Nora Ephron)
Karma Calling (Director: Sarba Das)
Knowing (Director: Alex Proyas)
Labor Pains (Director: Lara Shapiro)
Land Of The Lost (Director: Brad Silberling)
Like Dandelion Dust (Director: Jon Gunn)
Love Happens (Director: Brandon Camp)
Love Hurts (Director: Barra Grant)
Love N’ Dancing (Director: Robert Iscove)
Lurking Under Life (Director: William Conrad)
Mack Hanglider (Directors: Mark Macaluso + Peter Macaluso)
Madea Goes To Jail (Director: Tyler Perry)
Mega Diva (Director: Roberto Angel Salcedo)
Mexican Gold (Director: Chuck Walker)
Monster Beach Party (Director: Jay Wade Edwards)
Motherhood (Director: Katherine Dieckmann)
My Life In Ruins (Director: Donald Petrie)
My One And Only (Director: Richard Loncraine)
My Sister’s Keeper (Director: Nick Cassavetes)
Nine (Director: Rob Marshall)
Ninja Masters (Director: Xin Xin Xiong)
No Greater Love (Director: Brad J. Silverman)
Nobody (Director: Rob Perez)
Not Easily Broken (Director: Bill Duke)
Not Since You (Director: Jeff Stephenson)
Nowhere To Hide (Director: John Murlowski)
Obsessed (Director: Steve Shill)
Ondine (Director: Neil Jordan)
Oy Vey! My Son Is Gay!! (Director: Evgeny Afineevsky)
Palo Pinto Gold (Director: Anthony Henslee)
Paper Heart (Director: Nicholas Jasenovec)
Partners (Director: Peter James Iengo)
Passport To Love (Director: Victor Vu)
Pastor Browne (Director: Rockmond Dunbar)
Pennsylvania Is For Lovers (Director: Mickey Reece)
Play The Game (Director: Marc Fienberg)
Poema de salvación (Director: Brian Dublin)
Poker Run (Director: Julian Higgins)
Post Grad (Director: Vicky Jenson)
Push (Director: Paul McGuigan)
Ripples (Director: Marc Williams)
Rock Slyde (Director: Chris Dowling)
Royal Kill (Director: Babar Ahmed)
Sabotage (Director: Reza Sixo Fafai)
Sherlock Holmes (Director: Guy Ritchie)
Something Blue (Directors: Sean Dillon + Curtis Krick)
Spyware (Director: Grant Richards)
Star Quest (Director: Jon Bonnell)
Star Trek (Director: J.J. Abrams)
State Of Play (Director: Kevin McDonald)
Stay Cool (Director: Michael Polish)
Steppin: The Movie (Director: Michael Taliferro)
Street Fighter: The Legend Of Chun-Li (Director: Andrzej Bartkowiak)
Sugarland (Director: Kenny Fisher)
Surrogates (Director: Jonathan Mostow)
Terminator: Salvation (Director: McG)
That Evening Sun (Director: Scott Teems)
The Blind Side (Director: John Lee Hancock)
The Box (Director: Richard Kelly)
The Boys Are Back (Director: Scott Hicks)
The Break-Up Artist (Director: Steve Woo)
The City Of Your Final Destination (Director: James Ivory)
The Concert (Director: Radu Mihaileanu)
The Deported (Director: Lance Kawas)
The Fourth Kind (Director: Olatunde Osunsanmi)
The Greatest Song (Director: Sarah Poindexter)
The Gun (Director: Julio Alvarez)
The Haunting In Connecticut (Director: Peter Cornwell)
The Hole (Director: Joe Dante)
The Imaginarium Of Doctor Parnassus (Director: Terry Gilliam)
The Indian (Director: Ineke Houtman)
The Invention Of Lying (Directors: Ricky Gervais + Matthew Robinson)
The Jerk Theory (Director: Scott S. Anderson)
The Least Among You (Director: Mark Young)
The Lovely Bones (Director: Peter Jackson)
The Maiden Heist (Director: Peter Hewitt)
The Marc Pease Experience (Director: Todd Louiso)
The New Daughter (Director: Luiso Berdejo)
The Open Road (Director: Michael Meredith)
The Proposal (Director: Anne Fletcher)
The Shortcut (Director: Nicholaus Goossen)
The Six Wives Of Henry Lefay (Director: Howard Michael Gould)
The Smell Of Success (Director: Michael Polish)
The Soloist (Director: Joe Wright)
The Stepfather (Director: Nelson McCormick)
The Storm Warriors (Directors: Danny Pang + Oxide Chun Pang)
The Strip (Director: Jameel Khan)
The Time Traveler’s Wife (Director: Robert Schwentke)
The Twilight Saga: New Moon (Director: Chris Weitz)
The Unborn (Director: David S. Goyer)
The Uninvited (Directors: Charles Guard + Thomas Guard)
The Way (Director: Vladimir Pasichnik)
The Winning Season (Director: Jim Strouse)
The Yankles (Director: David R. Brooks)
To Save A Life (Director: Brian Baugh)
Transformers: Revenge Of The Fallen (Director: Michael Bay)
Under The Mountain (Director: Jonathan King)
Whatever Works (Director: Woody Allen)
Where The Lotus Blooms (Director: Metrey Keo)
Whip It (Director: Drew Barrymore)
White Wedding (Director: Jann Turner)
White On Rice (Director: Dave Boyle)
Wild About Harry (Director: Gwen Wynne)
X-Men Origins: Wolverine (Director: Gavin Hood)
Year One (Director: Harold Ramis)
You Are Not The Father! (Director: Gerron DelValle)

(Untitled) (Director: Jonathan Parker)
21 + a Wake Up (Director: Chris McIntyre)
31 North 62 East (Director: Tristan Loraine)
44 Inch Chest (Director: Malcolm Venville)
A Heavenly Vintage (Director: Niki Caro)
A Perfect Getaway (Director: David Twohy)
A Prophet (Director: Jacques Audiard)
A Single Man (Director: Tom Ford)
A Vampire’s Tale (Director: Drew Cullingham)
A Woman, A Gun + A Noodle Shop (Director: Yimou Zhang)
Accidents Happen (Director: Andrew Lancaster)
Across The Hall (Director: Alex Merkin)
Adopted (Director: Pauly Shore)
Adventureland (Director: Greg Mottola)
After.Life (Director: Agnieszka Wojtowicz-Vosloo)
Against The Current (Director: Peter Callahan)
Agora (Director: Alejandro Amenábar)
Albino Farm (Director: Joe Anderson)
All American Orgy (Director: Andrew Drazek)
Alpha Males Experiment (Knuckle Draggers) (Director: Alex Ranarivelo)
Amar (Director: Jorge Ramírez Suárez)
Amar a morir (Director: Fernando Lebrija)
American Cowslip (Director: Mark David)
American Virgin (Director: Clare Kilner)
Angel Of Death (Director: Paul Etheredge)
Anytown (Director: Dave Rodriguez)
Applause (Director: Martin Zandvliet)
April Showers (Director: Andrew Robinson)
Assault Of The Sasquatch (Director: Andrew Gernhard)
Attack On Darfur (Director: Uwe Boll)
Autumn (Director: Steven Rumbelow)
Away We Go (Director: Sam Mendes)
Baby On Board (Director: Brian Herzlinger)
Bad Lieutenant: Port Of Call - New Orleans (Director: Werner Herzog)
Baja Beach Bums (Director: Patrick Healy)
Balls Out: Gary The Tennis Coach (Director: Danny Leiner)
Bangkok Adrenaline (Director: Raimund Huber)
Bazookas: The Movie (Director: Michael G. Leonard)
Beautiful (Director: Dean O’Flaherty)
Beautiful Kate (Director: Rachel Ward)
Beauty + The Beast (Director: David Lister)
Behaving Badly (Director: Juan Drago)
Big Fan (Director: Robert D. Siegel)
Bitch Slap (Director: Rick Jacobson)
Black (Director: Pierre Laffargue)
Black Dynamite (Director: Scott Sanders)
Blackface Killer (Director: Michael Fredianelli)
Bled (Director: Christopher Hutson)
Blood Creek (Director: Joel Schumacher)
Blood Night: The Legend Of Mary Hatchet (Director: Frank Sabatella)
Blood + Bone (Director: Ben Ramsey)
Blood: The Last Vampire (Director: Chris Nahon)
Bob Funk (Director: Craig Carlisle)
Boogie Woogie (Director: Duncan Ward)
Book Of Blood (Director: John Harrison)
Breaking Point (Director: Jeff Celentano)
Broken Embraces (Director: Pedro Almodóvar)
Brooklyn’s Finest (Director: Antoine Fuqua)
Brother’s War (Director: Jerry Buteyn)
Brotherhood (Director: Nicolo Donato)
Brothers (Director: Jim Sheridan)
Brüno (Director: Larry Charles)
Cabin Fever II: Spring Fever (Director: Ti West)
Calvin Marshall (Director: Gary Lundgren)
Case 39 (Director: Christian Alvart)
Chain Letter (Director: Deon Taylor)
Chaw (Director: Jeong-won Shin)
Chicago Overcoat (Director: Brian Caunter)
Chloe (Director: Atom Egoyan)
Chéri (Director: Stephen Frears)
City Of Life + Death (Director: Chuan Lu)
Clash (Director: Thanh Son Le)
Coco Chanel + Igor Stravinsky (Director: Jan Kounen)
Cold Storage (Director: Tony Elwood)
Command Performance (Director: Dolph Lundgren)
Cornered! (Director: Daniel Maze)
Cracks (Director: Jordan Scott)
Crank: High Voltage (Directors: Mark Neveldine + Brian Taylor)
Crazy Heart (Director: Scott Cooper)
Creature Of Darkness (Director: Mark Stouffer)
Crimes Of The Past (Director: Garrett Bennett)
Crossing Over (Director: Wayne Kramer)
Crush (Directors: Jeffrey Gerritsen + John V. Soto)
Crush (Director: Michelle Fridley)
Cyber Ninja (Director: James Arnett)
Damage (Director: Jeff King)
Damned By Dawn (Director: Brett Anstey)
Dare (Director: Adam Salky)
Dark Country (Director: Thomas Jane)
Dark Fields (Director: Douglas Schulze)
Dark Frontier (Director: Kriv Stenders)
Dark House (Director: Darin Scott)
Dark Moon Rising (Director: Dana Mennie)
Daybreakers (Directors: Michael Spierig + Peter Spierig)
Dead Man Running (Director: Alex De Rakoff)
Deadland (Director: Damon O’Steen)
Deadline (Director: Sean McConville)
Death Warrior (Director: Bill Corcoran)
Deep In The Valley (Director: Christian Forte)
Defendor (Director: Peter Stebbings)
Desert Flower (Director: Sherry Hormann)
Diagnosis: Death (Director: Jason Stutter)
Direct Contact (Director: Danny Lerner)
Dismal (Director: Gary King)
District 13: Ultimatum (Director: Patrick Alessandrin)
District 9 (Director: Neill Blomkamp)
Dolan’s Cadillac (Director: Jeff Beesley)
Don McKay (Director: Jake Goldberger)
Don’t Let Me Down (Director: Cruz Angeles)
Don’t Look Up (Director: Fruit Chan)
Dorian Gray (Director: Oliver Parker)
Double Identity (Director: Dennis Dimster)
Down Terrace (Director: Ben Wheatley)
Down For Life (Director: Alan Jacobs)
Dread (Director: Anthony DiBlasi)
Drifter: Henry Lee Lucas (Director: Michael Feifer)
Elsewhere (Director: Nathan Hope)
End Game (Director: Bruce Koehler)
Endless Bummer (Director: Sam Pillsbury)
Evil Things (Director: Dominic Perez)
Extract (Director: Mike Judge)
Eyeborgs (Director: Richard Clabaugh)
Eyes Of The Woods (Directors: Darrin Reed, F. Miguel Valenti + Mark Villalobos)
Falling Awake (Director: Agustin)
Fatal Secrets (Director: Meir Sharony)
Finding Bliss (Director: Julie Davis)
Fireball (Director: Thanakorn Pongsuwan)
Five Minutes Of Heaven (Director: Oliver Hirschbiegel)
Force Of Five (Director: Krissanapong Rachata)
Forget Me Not (Director: Tyler Oliver)
Formosa Betrayed (Director: Adam Kane)
Four Boxes (Director: Wyatt McDill)
Frankenhood (Director: Blaxwell Smart)
Frat Party (Director: Robert Bennett)
Friday The 13th (Director: Marcus Nispel)
Frozen Kiss (Director: Harry Bromley Davenport)
Funny People (Director: Judd Apatow)
Fury (Director: Liz Lehmann)
Gamer (Directors: Mark Neveldine + Brian Taylor)
Ghost Machine (Director: Chris Hartwill)
Ghost Month (Director: Danny Draven)
Giallo (Director: Dario Argento)
Give ‘em Hell Malone (Director: Russell Mulcahy)
Glorious 39 (Director: Stephen Poliakoff)
Good Guys Finish Last (Director: Riley Wood)
Grace (Director: Paul Solet)
Halloween II (Director: Rob Zombie)
Handsome Harry (Director: Bette Gordon)
Happy Tears (Director: Mitchell Lichtenstein)
Hard Times (Director: Tom Reeve)
Hardwired (Director: Ernie Barbarash)
Harry Brown (Director: Daniel Barber)
Heavy Weight On The Block (Director: F. Terrell Johnson)
Helen (Director: Sandra Nettelbeck)
Hellbinders (Directors: Mitch Gould, Hiro Koda + David Wald)
Heroes (Director: Malcolm Brooks)
Hidden (Director: Pål Øie)
Hierarchy (Director: Michael Fredianelli)
High Life (Director: Gary Yates)
Homecoming (Director: Morgan J. Freeman)
Horsemen (Director: Jonas Åkerlund)
House Broken (Director: Sam Harper)
Humpday (Director: Lynn Shelton)
Hunger (Director: Steven Hentges)
Hurt (Director: Barbara Stepansky)
I Am Love (Director: Luca Guadagnino)
I Do...I Did! (Director: J. Jesses Smith)
I Hope They Serve Beer In Hell (Director: Bob Gosse)
I Love You Phillip Morris (Directors: Glenn Ficarra + John Requa)
I Love You Too (Director: Nerlin Stfleur)
I Love You, Man (Director: John Hamburg)
Ibrahim Labyad (Director: Marwan Hamed)
Ikenhisu: To Kill With One Blow (Director: La’Mard J. WIngster)
Immortally Yours (Director: Joe Tornatore)
In Her Skin (Director: Simone North)
In The Electric Mist (Director: Bertrand Tavernier)
In The Eyes Of A Killer (Director: Louis Mandylor)
InSearchOf (Director: Zeke Zelker)
Infestation (Director: Kyle Rankin)
Ingenious (Director: Jeff Balsmeyer)
Inglourious Basterds (Director: Quentin Tarantino)
Into Temptation (Director: Patrick Coyle)
It’s Complicated (Director: Nancy Meyers)
Jarring (Director: Ivo Raza)
Jennifer’s Body (Director: Karyn Kusama)
Johnny Boy (Directors: Mickey Reece + James Paulsgrove)
Jordan Saffron: Taste This! (Director: Sergio Myers)
Just Another Day (Director: Peter Spirer)
Kicking The Dog (Director: Randy Scooter Lammey)
Kill Peter, Pay Paul (Directors: Kenny Foster + Dustin S. Massie)
Kill Theory (Director: Chris Moore)
Killer View (Director: Brian James O’Connell)
Knife Edge (Director: Anthony Hickox)
Know Thy Enemy (Director: Lee Cipolla)
La Linea (The Line) (Director: James Cotton)
La Mission (Director: Peter Bratt)
La soga (Director: Josh Crook)
Laid To Rest (Director: Robert Hall)
Last Day Of Summer (Director: Vlad Yudin)
Law Abiding Citizen (Director: F. Gary Gray)
Leaves Of Grass (Director: Tim Blake Nelson)
Lebanon (Director: Samuel Maoz)
Legend Of The Bog (Director: Brendan Foley)
Lies + Illusions (Director: Tibor Takács)
Life During Wartime (Director: Todd Solondz)
Life Is Hot In Cracktown (Director: Buddy Giovinazzo)
Little Fish, Strange Pond (Director: Gregory Dark)
Little New York (Director: James DeMonaco)
Lofty Intentions (Director: Gerard Jamroz)
Lost Angels (Director: Justin Voskian)
Love Conquers Paul (Director: Colin Bannon)
Love And Other Impossible Pursuits (Director: Don Roos)
Love At First Hiccup (Director: Barbara Topsøe-Rothenborg)
Loyalty The Movie (Director: Samuel Wheeler III)
Lynch Mob (Director: Byron Conrad Erwin)
Malice In Wonderland (Director: Simon Fellows)
Mandrill (Director: Ernesto Díaz Espinoza)
Maneater (Director: Michael Emanuel)
Manson: My Name Is Evil (Director: Reginald Harkema)
Map Of The Sounds Of Tokyo (Director: Isabel Coixet)
Merantau (Director: Gareth Evans)
Mercy (Director: Patrick Hoelck)
Micmacs (Director: Jean-Pierre Jeunet)
Middle Men (Director: George Gallo)
Midgets vs. Mascots (Director: Ron Carlson)
Miss March (Directors: Zach Cregger + Trevor Moore)
Moon (Director: Duncan Jones)
Mortal Sin (Director: David Von Roehm)
Mother (Director: Bong Joon Ho)
Mother + Child (Director: Rodrigo Garcia)
Mr. Nobody (Director: Jaco Van Dormael)
Mutants (Director: David Morlet)
My Bloody Valentine (in 3-D) (Director: Patrick Lussier)
My Son, My Son, What Have Ye Done? (Director: Werner Herzog)
Mystery Train (Director: Dan Eckman)
Mythical Creatures (Director: Mickey Reece)
Neighbor (Director: Robert A. Masciantonio)
Never Surrender (Director: Hector Echavarria)
New Brooklyn (Director: Christopher Cannucciari)
Next Day Air (Director: Benny Boom)
Night Train (Director: Brian King)
Night Of The Demons (Director: Adam Gierasch)
Ninja (Director: Isaac Florentine)
Ninja Assassin (Director: James McTeigue)
No Boundaries (Directors: Violet Mendoza + Jake Willing)
Not Forgotten (Director: Dror Soref)
Notorious (Director: George Tillman, Jr.)
Nowhere Boy (Director: Sam Taylor-Johnson)
Observe And Report (Director: Jody Hill)
Offspring (Director: Andrew van den Houten)
Open Graves (Director: Álvaro de Armiñán)
Orphan (Director: Jaume Collet-Serra)
Orville (Director: Craig McMahon)
Pandemic (Director: Jason Connery)
Pandorum (Director: Christian Alvart)
Paper Man (Directors: Kieran Mulroney + Michele Mulroney)
Perkins’ 14 (Director: Craig Singer)
Perrier’s Bounty (Director: Ian Fitzgibbon)
Personal Effects (Director: David Hollander)
Pirate Radio (Director: Richard Curtis)
Powder Blue (Director: Timothy Linh Bui)
Precious (Director: Lee Daniels)
Protégé (Directors: Shannon Casto + Michelle Henderson)
Public Enemies (Director: Michael Mann)
Raging Phoenix (Director: Rashane Limtrakul)
Rain Fall (Director: Max Mannix)
Rampage (Director: Uwe Boll)
Ratko: The Dictator’s Son (Directors: Savage Steve Holland + Kevin Speckmaier)
Ready For Not (Director: Sean Doyle)
[rec.] II (Directors: Jaume Balagueró + Paco Plaza)
Red Hook (Director: Elizabeth Lucas)
Red Sands (Director: Alex Turner)
Redemption (Director: Robert Conway)
Revenge: True Story (Director: Berenika Maciejewicz)
Reykjavik Whale Watching Massacre (Director: Júlíus Kemp)
RiffRaff (Director: Justen Naughton)
Robodoc (Director: Stephen Maddocks)
Rough Winds (Director: Andrea Olabarría)
Running On Empty Dreams (Director: Nitara Lee Osbourne)
S. Darko (Director: Chris Fisher)
Saddle Up With Dick Wrangler + Injun Joe (Director: Todd Wolfe)
Saint John Of Las Vegas (Director: Hue Rhodes)
Saving Grace B. Jones (Director: Connie Stevens)
Saw VI (Director: Kevin Greutert)
Serious Moonlight (Director: Cheryl Hines)
Shank (Directors: Simon Pearce + Christian martin)
Shark City (Director: Dan Eisen)
Shattered Focus (Director: Joshua Tolby)
Shinjuku Incident (Director: Tung-Shing Yee)
Shrink (Director: Jonas Pate)
Shroud (Director: David Jetre)
Silent Night, Zombie Night (Director: Sean Cain)
Silent Shame (Director: Juan Frausto)
Sin Nombre (Director: Cary Joji Fukunaga)
Slaughter (Director: Stewart Hopewell)
Slave (Director: Darryn Welch)
Smalltimore (Director: Jeanie M. Clark)
Smile Pretty (Director: Harry Bromley Davenport)
Solitary Man (Directors: Brian Koppelman + David Levien)
Solomon Kane (Director: Michael J. Bassett)
Sorority Row (Director: Stewart Hendler)
Splice (Director: Vincenzo Natali)
Splinterheads (Director: Brant Sersen)
Spooner (Director: Drake Doremus)
Spread (Director: David Mackenzie)
Spring Breakdown (Director: Ryan Shiraki)
Stan Helsing (Director: Bo Zenga)
Stolen (Director: Anders Anderson)
Strangers Online (Director: John Huckert)
Street Boss (Director: Lance Kawas)
Street Dreams (Director: Chris Zamoscianyk)
Streetballers (Director: Matt Krentz)
Stuntmen (Director: Eric Amadio)
Suck (Director: Rob Stefaniuk)
Sugar Boxx (Director: Cody Jarrett)
Summer’s Moon (Director: Lee Demarbre)
Sundo (Director: Topel Lee)
Survival Of The Dead (Director: George A. Romero)
Sutures (Director: Tammi Sutton)
Sway (Director: Sean Ireland)
Sweet Karma (Director: Andrew Thomas Hunt)
Sword Of War (Director: Renzo Martinelli)
Table For Three (Director: Michael Samonek)
Taking Chances (Director: Talmage Cooley)
Taking Woodstock (Director: Ang Lee)
Tanner Hall (Directors: Francesca Gregorini + Tatiana von Furstenberg)
Tell Tale (Director: Michael Cuesta)
Tenderness (Director: John Polson)
Tetro (Director: Francis Ford Coppola)
The 420 Movie (Directors: James Blackburn, Scott Flick, + Robert Nathan Gleason)
The Answer Man (Director: John Hindman)
The Assailant (Director: João Daniel Tikhomiroff)
The Assassin Next Door (Director: Danny Lerner)
The Beacon (Director: Michael Stokes)
The Black Waters Of Echo’s Pond (Director: Gabriel Bologna)
The Bleeding (Director: Charlie Picerni)
The Boondock Saints II: All Saints Day (Director: Troy Duffy)
The Boxer (Director: Thomas Jahn)
The Bridge To Nowhere (Director: Blair Underwood)
The Broken Hearts Club (Director: Angelo Bell)
The Brotherhood V: Alumni (Director: David DeCoteau)
The Buffalo Son (Directors: Colin Davis, Bryan Felber + Sam France)
The Butterfly Effect III: Revelations (Director: Seth Grossman)
The Canyon (Director: Richard Harrah)
The Casino Job (Director: Christopher Robin Hood)
The Collector (Director: Marcus Dunstan)
The Cry Of The Owl (Director: Jamie Thraves)
The Crypt (Director: Craig McMahon)
The Damned United (Director: Tom Hooper)
The Dark Lurking (Director: Gregory Connors)
The Descent: Part II (Director: Jon Harris)
The Devil’s Ground (Director: Michael Bafaro)
The Devil’s Tomb (Director: Jason Connery)
The Director’s Cut (Director: Paul Komadina)
The Disappearance Of Alice Creed (Director: J. Blakeson)
The Donner Party (Director: Terrence Martin)
The Echo Game (Director: Brian Feeney)
The Eclipse (Director: Conor McPherson)
The Fighter (Director: Javier Barbera)
The Final Destination (Director: David R. Ellis)
The Girl Who Kicked The Hornet’s Nest (Director: Daniel Alfredson)
The Girl Who Played With Fire (Director: Daniel Alfredson)
The Girl With The Dragon Tattoo (Director: Niels Arden Oplev)
The Girlfriend Experience (Director: Steven Soderbergh)
The Good Guy (Director: Julio DePietro)
The Good Heart (Director: Dagur Kári)
The Goods: Live Hard, Sell Hard (Director: Neal Brennan)
The Graves (Director: Brian Pulido)
The Greatest (Director: Shana Feste)
The Grudge III (Director: Toby Wilkins)
The Gunslingers (Director: Adam Oxsen)
The Hangover (Director: Todd Phillips)
The Haunting (Director: Elio Quiroga)
The Hiding (Director: Ramon Hamilton)
The Hitmen Diaries: Charlie Valentine (Director: Jesse V. Johnson)
The House Of The Devil (Director: Ti West)
The Human Centipede (First Sequence) (Director: Tom Six)
The Hungry Ghosts (Director: Michael Imperioli)
The Informant! (Director: Steven Soderbergh)
The International (Director: Tom Tykwer)
The Invisible Chronicles (Director: David DeCoteau)
The Janky Promoters (Director: Marcus Raboy)
The Job (Director: Shem Bitterman)
The Joneses (Director: Derrick Borte)
The Keeper (Director: Keoni Waxman)
The Killing Room (Director: Jonathan Liebesman)
The Last House On The Left (Director: Dennis Iliadis)
The Last Resort (Director: Brandon Nutt)
The Last Station (Director: Michael Hoffman)
The Limb Collector (Director: Mark Daniel Foley)
The Limits Of Control (Director: Jim Jarmusch)
The Lodger (Director: David Ondaatje)
The Lost Tribe (Director: Roel Reiné)
The Loved One (Director: Sean Byrne)
The Men Who Stare At Goats (Director: Grant Heslov)
The Messenger (Director: Oren Moverman)
The Ministers (Director: Franc. Reyes)
The Nail: The Story Of Joey Nardone (Director: James Quattrochi)
The Outside (Director: Ari Davis)
The Perfect Age Of Rock ‘n’ Roll (Director: Scott D. Rosenbaum)
The Perfect Sleep (Director: Jeremy Alter)
The Pool Boys (Director: J.B. Rogers)
The Private Lives Of Pippa Lee (Director: Rebecca Miller)
The Rebound (Director: Bart Freundlich)
The Revenant (Director: D. Kerry Prior)
The Road (Director: John Hillcoat)
The Scenesters (Director: Todd Berger)
The Seamstress (Director: Jesse James Miller)
The Secret In Their Eyes (Director: Juan José Campanella)
The Slammin’ Salmon (Director: Kevin Heffernan)
The Steam Experiment (Director: Philippe Martinez)
The Taking Of Pelham 123 (Director: Tony Scott)
The Thaw (Director: Mark A. Lewis)
The Tomb (Director: Michael Staininger)
The Tournament (Director: Scott Mann)
The Truth About Average Guys (Directors: Ken Gayton + Jason W. Schaver)
The Ugly Truth (Director: Robert Luketic)
The Vicious Kind (Director: Lee Toland Krieger)
The Waiting City (Director: Claire McCarthy)
The Way Of War (Director: John Carter)
The White Ribbon (Director: Michael Haneke)
Thick As Thieves (Director: Mimi Leder)
Thirst (Director: Chan-wook Park)
TiMER (Director: Jac Schaeffer)
Tidal Wave (Director: JK Youn)
Today’s Special (Director: David Kaplan)
Tormented (Director: Jon Wright)
Trailer Park Boys: Countdown To Liquor Day (Director: Mike Clattenburg)
Transylmania (Directors: David Hillenbrand + Scott Hillenbrand)
Triage (Director: Danis Tanovic)
Triangle (Director: Christopher Smith)
Tripping Forward (Director: Marcus Nash)
Two (2) Million Stupid Women (Director: Jamie Neese)
Ultimate Heist (Director: Alain Tasma)
Un tigre en la cama (Director: Rafael Montero)
Underworld: Rise Of The Lycans (Director: Patrick Tatopoulos)
Universal Soldier: Regeneration (Director: John Hyams)
Up In The Air (Director: Jason Reitman)
Vampire Killers (Director: Phil Claydon)
Veronika Decides To Die (Director: Emily Young)
Wake (Director: Ellie Kanner)
Wake Wood (Director: David Keating)
Walled In (Director: Gilles Paquet-Brenner)
Watchmen (Director: Zack Snyder)
Weather Girl (Director: Blayne Weaver)
What Goes Up (Director: Jonathan Glatzer)
Whiteout (Director: Dominic Sena)
Wild Cherry (Director: Dana Lustig)
Winter Of Frozen Dreams (Director: Eric Mandelbaum)
Within (Director: Hanelle M. Culpepper)
Within (Director: Marco Duran)
Women In Trouble (Director: Sebastian Gutierrez)
Wonderful World (Director: Joshua Goldin)
Words Unspoken (Director: Ingeborg C. Eiland)
World’s Greatest Dad (Director: Bob Goldthwait)
Wrong Turn At Tahoe (Director: Franck Khalfoun)
You Might As Well Live (Director: Simon Ennis)
Youth In Revolt (Director: Miguel Arteta)
ZMD: Zombies Of Mass Destruction (Director: Kevin Hamedani)
Zombie Women Of Satan (Directors: Steve O’Brien + Warren Speed)
Zombieland (Director: Ruben Fleischer)
Zone Of The Dead (Directors: Milan Konjevic + Milan Todorovic)

NC-17

Easier With Practice (Director: Kyle Patrick Alvarez)

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A Live Performance of Every Paramore Song (That They've Played Live)

From 1 Sunset to the Next : 1 day on the road

2 Sunets - 1 Day on the Road

Tartar - this video - Thoughts Please

Rand Paul on the Constitution Discussion Series: The Abuse of Eminent Domain, Donald Trump and the 5th Amendment Takings Clause - October 25, 2015

Private Property

The Takings Clause

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Rand Paul on ED, Keystone Pipeline and Trump’s History

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[WEEKEND RECAP] Danny Garcia vs Mauricio Herrera, Tomasz Adamek vs Vyacheslav Glazkov, Tony Bellew vs Velery Brudov + more

Friday March 14

Jonathan Oquendo won a unanimous decision over Guillermo Avila

Saturday March 15

Fernando Montiel won a majority decision over Cristobal Cruz

Tony Bellew won by KO in the 12th round against Velery Brudov

Rocky Fielding won a unanimous decision over Charles Adamu

Kell Brook stopped Hector Alvaro Robles in the 8th round

Vyacheslav Glazkov won a unanimous decision over Tomasz Adamek

Isaac Chilemba won a unanimous decision over Denis Grachev

Kermit Cintron won a unanimous decision over Ronald Cruz

Karl Dargan won a unanimous decision over Chazz McDowell

Danny Garcia retains the lineal light welterweight title by majority decision over Mauricio Herrera

Deontay Wilder knocked out Malik Scott in the 1st round

Juan Manuel Lopez stopped Daniel Ponce de Leon in the 2nd round

Las Vegas Sands to Sell Pennsylvania Casino for $1.3 Billion

All of the MPAA/CARA-rated films of 2009 (out of the 7,004 films released worldwide that year.)

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